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	<title># heirloom jewellery #Indianjewellery &#8211; Rana Safvi</title>
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	<description>A blog exploring India&#039;s Ganga Jamuni Tehzeeb or its rich multi plural multi cultural heritage via its adab, tehzeeb &#38; tareekh</description>
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	<title># heirloom jewellery #Indianjewellery &#8211; Rana Safvi</title>
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		<title>Heirloom jewellery : Chuhe Datti</title>
		<link>https://ranasafvi.com/heirloom-jewellery-chuhe-datti/</link>
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		<dc:creator><![CDATA[Rana Safvi]]></dc:creator>
		<pubDate>Wed, 26 Apr 2023 06:57:55 +0000</pubDate>
				<category><![CDATA[Our Cultural Heritage]]></category>
		<category><![CDATA[# heirloom jewellery #Indianjewellery]]></category>
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					<description><![CDATA[Today&#8217;s post is about heirloom jewellery. This bracelet is called chuhe datti- or with mice like teeth- because of its sharp pointed spikes. This is a third generation wearing it MashaAllah . It was part of my mother&#8217;s trousseau, then mine and now my daughter&#8217;s. #heirloomjewellery]]></description>
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<p>Today&#8217;s post is about heirloom jewellery.<br />
This bracelet is called chuhe datti- or with mice like teeth- because of its sharp pointed spikes.<br />
This is a third generation wearing it MashaAllah .<br />
It was part of my mother&#8217;s trousseau, then mine and now my daughter&#8217;s.</p>
<p>#heirloomjewellery</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">38373</post-id>	</item>
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		<title>Folio from the &#8220;Qur&#8217;an of `Umar Aqta&#8221;,late 14th–early 15th century (before 1405) ~ Met Museum</title>
		<link>https://ranasafvi.com/folio-from-the-quran-of-umar-aqtalate-14th-early-15th-century-before-1405-met-museum/</link>
		
		<dc:creator><![CDATA[ranasafvi]]></dc:creator>
		<pubDate>Tue, 26 Mar 2019 02:53:11 +0000</pubDate>
				<category><![CDATA[My Travels]]></category>
		<category><![CDATA[# church #northindia #agradiocese #nainital #unitedprovinces #india]]></category>
		<category><![CDATA[# heirloom jewellery #Indianjewellery]]></category>
		<category><![CDATA[residency]]></category>
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					<description><![CDATA[Surah Al_Qasas &#8230; This is the abode of the Hereafter! We appoint it unto those who Seek not exaltation in the earth nor corruption; and the happy end is for the God-fearing Gallery Text : This fragment of a page comes from one of the largest copies of the Qur&#8217;an ever produced. Each line of [&#8230;]]]></description>
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<p>Surah Al_Qasas &#8230; This is the abode of the Hereafter! We appoint it unto those who Seek not exaltation in the earth nor corruption; and the happy end is for the God-fearing</p>
<p>Gallery Text :</p>
<p><span style="caret-color: rgb(0, 0, 6); color: rgb(0, 0, 6); font-family: MetSans," helvetica neue arial sans-serif font-size: font-style: normal font-variant-caps: font-weight: letter-spacing: orphans: auto text-align: start text-indent: text-transform: none white-space: widows: word-spacing: rgba text-decoration: display: inline float:>This fragment of a page comes from one of the largest copies of the Qur&#8217;an ever produced. Each line of script, written in the muhaqqaq style, is over three feet long, and each page was originally over seven feet tall. This page probably comes from a gigantic Qur&#8217;an that the calligrapher &#8216;Umar Aqta&#8217; wrote for the ruler Timur (Tamerlane, d. 1405). Apparently Timur was unimpressed after &#8216;Umar Aqta&#8217; wrote a Qur&#8217;an so small that it could fit under a signet ring, so the calligrapher wrote another Qur&#8217;an so large it had to be brought to Timur on a cart.</span></p>
<p><a href="https://www.metmuseum.org/art/collection/search/453985">https://www.metmuseum.org/art/collection/search/453985</a></p>
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