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	<title>#jahangir #akbar #mughalart #mughalpainting #gulshanalbum &#8211; Rana Safvi</title>
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	<link>https://ranasafvi.com</link>
	<description>A blog exploring India&#039;s Ganga Jamuni Tehzeeb or its rich multi plural multi cultural heritage via its adab, tehzeeb &#38; tareekh</description>
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	<title>#jahangir #akbar #mughalart #mughalpainting #gulshanalbum &#8211; Rana Safvi</title>
	<link>https://ranasafvi.com</link>
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		<title>Buffalo Fight : Painting from Gulshan Album of Jahangir</title>
		<link>https://ranasafvi.com/buffalo-fight-painting-from-gulshan-album-of-jahangir/</link>
					<comments>https://ranasafvi.com/buffalo-fight-painting-from-gulshan-album-of-jahangir/#respond</comments>
		
		<dc:creator><![CDATA[Rana Safvi]]></dc:creator>
		<pubDate>Wed, 26 Apr 2023 07:12:30 +0000</pubDate>
				<category><![CDATA[Medieval Indian History]]></category>
		<category><![CDATA[Our Cultural Heritage]]></category>
		<category><![CDATA[#jahangir #akbar #mughalart #mughalpainting #gulshanalbum]]></category>
		<category><![CDATA[#Mughalart #golestanpalace #museum]]></category>
		<guid isPermaLink="false">https://ranasafvi.com/?p=38388</guid>

					<description><![CDATA[The Mughal school of paintings estd by Humayun reached its zenith under Jahangir. Akbar&#8217;s taswir khana employed Persian and Hindustani artists giving birth to a vibrant style. Jahangir was a connoisseur of paintings &#38; could recognize the hand of each painter. When Jahangir had rebelled against his father Akbar, he set up a court and [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" data-attachment-id="38389" data-permalink="https://ranasafvi.com/buffalo-fight-painting-from-gulshan-album-of-jahangir/img_4512/" data-orig-file="https://ranasafvi.com/wp-content/uploads/2023/04/IMG_4512.jpeg" data-orig-size="678,1198" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1682512821&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}" data-image-title="IMG_4512" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4512.jpeg?resize=170%2C300&#038;ssl=1" data-large-file="https://ranasafvi.com/wp-content/uploads/2023/04/IMG_4512-580x1024.jpeg" src="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4512.jpeg?resize=170%2C300&#038;ssl=1" alt="" width="170" height="300" class="aligncenter size-medium wp-image-38389" srcset="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4512.jpeg?resize=170%2C300&amp;ssl=1 170w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4512.jpeg?resize=580%2C1024&amp;ssl=1 580w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4512.jpeg?w=678&amp;ssl=1 678w" sizes="(max-width: 170px) 100vw, 170px" data-recalc-dims="1" /></p>
<p>The Mughal school of paintings estd by Humayun reached its zenith under Jahangir.<br />
Akbar&#8217;s taswir khana employed Persian and Hindustani artists giving birth to a vibrant style.<br />
Jahangir was a connoisseur of paintings &amp; could recognize the hand of each painter.<br />
When Jahangir had rebelled against his father Akbar, he set up a court and taswir khana in Allahabad.<br />
It was there that one of the greatest #muraqqa or #albums was created.<br />
I tried to see the album in Teheran&#8217;s Golestan Palace &amp; Berlin&#8217;s Pergamon museum but was unsuccessful:(<br />
The #GulshanAlbum or #muraqqaeGulshan<br />
( A buffalo fight by Farrukh Chela in #GulshanAlbum )<br />
#Mughalart #golestanpalace #museum</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">38388</post-id>	</item>
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		<title>&#8220;Coffin of Imam &#8216;Ali&#8221;, Folio from a Falnama (The Book of Omens) of Ja&#8217;far al-Sadiq,mid-1550s–early 1560s~ Met Museum</title>
		<link>https://ranasafvi.com/coffin-of-imam-ali-folio-from-a-falnama-the-book-of-omens-of-jafar-al-sadiqmid-1550s-early-1560s-met-museum/</link>
		
		<dc:creator><![CDATA[ranasafvi]]></dc:creator>
		<pubDate>Tue, 26 Mar 2019 03:37:34 +0000</pubDate>
				<category><![CDATA[My Travels]]></category>
		<category><![CDATA[#delhi #Delhitrilogy #turkmanshah #turkmandarwaza #sufi #sufism]]></category>
		<category><![CDATA[#heirloomjewellery #jahangiri #pahunchi #bracelet]]></category>
		<category><![CDATA[#jahangir #akbar #mughalart #mughalpainting #gulshanalbum]]></category>
		<category><![CDATA[residency]]></category>
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					<description><![CDATA[Gallery Text This folio is from a manuscript of the Falnama (Book of Omens), an illustrated divinatory book. It depicts &#8216;Ali, the first Shi&#8217;i imam, shown with a face veil and a flaming halo. He leads a camel with a coffin while two other men, his sons Hasan and Husain, watch from behind a hillside. [&#8230;]]]></description>
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" data-medium-file="https://ranasafvi.com/wp-content/uploads/2019/03/img_6529-227x300.jpg" data-large-file="https://ranasafvi.com/wp-content/uploads/2019/03/img_6529-775x1024.jpg" src="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2019/03/img_6529.jpg?resize=2926%2C3866&#038;ssl=1" class="aligncenter size-medium wp-image-12747" width="2926" height="3866" srcset="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2019/03/img_6529.jpg?w=1550&amp;ssl=1 1550w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2019/03/img_6529.jpg?resize=227%2C300&amp;ssl=1 227w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2019/03/img_6529.jpg?resize=768%2C1015&amp;ssl=1 768w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2019/03/img_6529.jpg?resize=775%2C1024&amp;ssl=1 775w" sizes="(max-width: 1000px) 100vw, 1000px" data-recalc-dims="1" /></p>
<p>Gallery Text</p>
<div class="artwork__intro__desc" itemprop="description" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; margin-top: 19px; overflow: hidden; position: relative; caret-color: rgb(0, 0, 6); color: rgb(0, 0, 6); font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 18px; font-style: normal; font-variant-caps: normal; font-weight: 300; letter-spacing: 0.5px; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none">
<p style="-webkit-font-smoothing: antialiased; box-sizing: border-box; margin: 4px 0px 0px; padding: 0px">This folio is from a manuscript of the Falnama (Book of Omens), an illustrated divinatory book. It depicts &#8216;Ali, the first Shi&#8217;i imam, shown with a face veil and a flaming halo. He leads a camel with a coffin while two other men, his sons Hasan and Husain, watch from behind a hillside. According to Anatolian mystical thought, Imam &#8216;Ali not only predicted his own death but also told his two sons that when he died, a veiled man would carry his coffin away on a camel for burial. He cautioned them not to question the man. When &#8216;Ali’s prediction came true, Hasan and Husain could not resist asking the man’s identity and discovered that he was in fact their father, who was carrying his own body to the grave.</p>
</div>
<p><a href="https://www.metmuseum.org/art/collection/search/451017">www.metmuseum.org/art/collection/search/451017</a></p>
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