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	<title>#yamuna #vrindavan #ghat #krishna #krishnatemple #radha #gopi &#8211; Rana Safvi</title>
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	<link>https://ranasafvi.com</link>
	<description>A blog exploring India&#039;s Ganga Jamuni Tehzeeb or its rich multi plural multi cultural heritage via its adab, tehzeeb &#38; tareekh</description>
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	<title>#yamuna #vrindavan #ghat #krishna #krishnatemple #radha #gopi &#8211; Rana Safvi</title>
	<link>https://ranasafvi.com</link>
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		<title>The importance of River Yamuna in Vrindavan</title>
		<link>https://ranasafvi.com/the-importance-of-river-yamuna-in-vrindavan/</link>
					<comments>https://ranasafvi.com/the-importance-of-river-yamuna-in-vrindavan/#respond</comments>
		
		<dc:creator><![CDATA[Rana Safvi]]></dc:creator>
		<pubDate>Wed, 26 Apr 2023 13:26:01 +0000</pubDate>
				<category><![CDATA[My Travels]]></category>
		<category><![CDATA[Our Cultural Heritage]]></category>
		<category><![CDATA[#yamuna #vrindavan #ghat #krishna #krishnatemple #radha #gopi]]></category>
		<guid isPermaLink="false">https://ranasafvi.com/?p=38507</guid>

					<description><![CDATA[On a recent trip to Vrindavan I was struck by the tell tale signs of a receding Yamuna. I could see small pavilions on the opposite side of the road from Yamuna river which must have been the entry points to the ghat. In a few places these burjis were surrounded by some water. River [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" data-attachment-id="38508" data-permalink="https://ranasafvi.com/the-importance-of-river-yamuna-in-vrindavan/img_4611-2/" data-orig-file="https://ranasafvi.com/wp-content/uploads/2023/04/IMG_4611.jpeg" data-orig-size="1200,900" data-comments-opened="1" data-image-meta="{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;1682535250&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}" data-image-title="IMG_4611" data-image-description="" data-image-caption="" data-medium-file="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4611.jpeg?resize=300%2C225&#038;ssl=1" data-large-file="https://ranasafvi.com/wp-content/uploads/2023/04/IMG_4611-1024x768.jpeg" src="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4611.jpeg?resize=300%2C225&#038;ssl=1" alt="" width="300" height="225" class="aligncenter size-medium wp-image-38508" srcset="https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4611.jpeg?resize=300%2C225&amp;ssl=1 300w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4611.jpeg?resize=1024%2C768&amp;ssl=1 1024w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4611.jpeg?resize=768%2C576&amp;ssl=1 768w, https://i0.wp.com/ranasafvi.com/wp-content/uploads/2023/04/IMG_4611.jpeg?w=1200&amp;ssl=1 1200w" sizes="(max-width: 300px) 100vw, 300px" data-recalc-dims="1" /></p>
<p>On a recent trip to Vrindavan I was struck by the tell tale signs of a receding Yamuna. I could see small pavilions on the opposite  side of the road from Yamuna river which must have been the entry points to the ghat. In a few places these burjis were surrounded by some water.<br />
River fronts are a very significant site of architectural and religious heritage.<br />
Yamuna is revered as a goddess as the daughter of Surya and sister of Yama (god of death) she is linked with the forces of both life and death.<br />
Her role in Krishna mythology makes her even more important. The baby Krishna was saved by his father transporting him on a dark stormy night, where the river calmed herself to facilitate the journey.<br />
The image in the post is curious because of the fountain.<br />
Sushant Bharti tells me the fountain was added later as part of renovations</p>
<p>#yamuna #vrindavan #ghat</p>
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		<post-id xmlns="com-wordpress:feed-additions:1">38507</post-id>	</item>
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		<title>Interior of the Hammam at the Red Fort, Delhi, Furnished According to English Taste,ca. 1830–40  ~ Met Museum</title>
		<link>https://ranasafvi.com/interior-of-the-hammam-at-the-red-fort-delhi-furnished-according-to-english-tasteca-1830-40-met-museum/</link>
		
		<dc:creator><![CDATA[ranasafvi]]></dc:creator>
		<pubDate>Tue, 26 Mar 2019 04:36:36 +0000</pubDate>
				<category><![CDATA[My Travels]]></category>
		<category><![CDATA[#ranakpur #ranakpurjaintemple #akbar #fatehpursikri #Jain #akbar #mughal]]></category>
		<category><![CDATA[#tajbagh #tajuddinbaba #nagpur #bhonsle #chador #SufiThursdays #sufism #sufisaint #sufi #dargah]]></category>
		<category><![CDATA[#yamuna #vrindavan #ghat #krishna #krishnatemple #radha #gopi]]></category>
		<category><![CDATA[Delhi]]></category>
		<category><![CDATA[residency]]></category>
		<guid isPermaLink="false">https://ranasafvi.com/interior-of-the-hammam-at-the-red-fort-delhi-furnished-according-to-english-tasteca-1830-40-met-museum/</guid>

					<description><![CDATA[Gallery Text : It was not unusual for the resident British of nineteenth-century Delhi to buy ruined or abandoned Mughal or Sultanate buildings and monuments, which they then converted from their original functions to habitable spaces. This painting illustrates the conversion of a hammam (bath house) into a living room, complete with a piano or [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="file:///var/mobile/Containers/Data/Application/13B56B71-BE6F-4B7B-8A76-9463D0133C9E/Library/Caches/Media/thumbnail-p8565-2208x2208.jpeg" class="size-full" data-wp_upload_id="x-coredata://982C6129-E900-4D84-9D10-664C9AA3F008/Media/p8565"></p>
<p>Gallery Text :</p>
<div class="artwork__intro__desc" itemprop="description" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; margin-top: 19px; overflow: hidden; position: relative; caret-color: rgb(0, 0, 6); color: rgb(0, 0, 6); font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 18px; font-style: normal; font-variant-caps: normal; font-weight: 300; letter-spacing: 0.5px; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none">
<p style="-webkit-font-smoothing: antialiased; box-sizing: border-box; margin: 4px 0px 0px; padding: 0px">It was not unusual for the resident British of nineteenth-century Delhi to buy ruined or abandoned Mughal or Sultanate buildings and monuments, which they then converted from their original functions to habitable spaces. This painting illustrates the conversion of a hammam (bath house) into a living room, complete with a piano or harpsichord, a bench, and an assortment of glass bottles and other objects. The white floor inlaid with flower motifs resembles that of the hammam at the Red Fort in Delhi, where a British national had been installed by the early nineteenth century.</p>
</div>
<p><a href="https://www.metmuseum.org/art/collection/search/453350">https://www.metmuseum.org/art/collection/search/453350</a></p>
<p><img decoding="async" src="file:///var/mobile/Containers/Data/Application/13B56B71-BE6F-4B7B-8A76-9463D0133C9E/Library/Caches/Media/thumbnail-p8566-2208x2208.jpeg" class="size-full" data-wp_upload_id="x-coredata://982C6129-E900-4D84-9D10-664C9AA3F008/Media/p8566"></p>
]]></content:encoded>
					
		
		
		<post-id xmlns="com-wordpress:feed-additions:1">12781</post-id>	</item>
		<item>
		<title>Interior of the Hammam at the Red Fort, Delhi, Furnished According to English Taste,ca. 1830–40  ~ Met Museum</title>
		<link>https://ranasafvi.com/interior-of-the-hammam-at-the-red-fort-delhi-furnished-according-to-english-tasteca-1830-40-met-museum-2/</link>
		
		<dc:creator><![CDATA[ranasafvi]]></dc:creator>
		<pubDate>Tue, 26 Mar 2019 04:36:36 +0000</pubDate>
				<category><![CDATA[My Travels]]></category>
		<category><![CDATA[#ranakpur #ranakpurjaintemple #akbar #fatehpursikri #Jain #akbar #mughal]]></category>
		<category><![CDATA[#tajbagh #tajuddinbaba #nagpur #bhonsle #chador #SufiThursdays #sufism #sufisaint #sufi #dargah]]></category>
		<category><![CDATA[#yamuna #vrindavan #ghat #krishna #krishnatemple #radha #gopi]]></category>
		<category><![CDATA[Delhi]]></category>
		<category><![CDATA[residency]]></category>
		<guid isPermaLink="false">https://ranasafvi.com/?p=12783</guid>

					<description><![CDATA[Gallery Text : It was not unusual for the resident British of nineteenth-century Delhi to buy ruined or abandoned Mughal or Sultanate buildings and monuments, which they then converted from their original functions to habitable spaces. This painting illustrates the conversion of a hammam (bath house) into a living room, complete with a piano or [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><img decoding="async" src="file:///var/mobile/Containers/Data/Application/13B56B71-BE6F-4B7B-8A76-9463D0133C9E/Library/Caches/Media/thumbnail-p8565-2208x2208.jpeg" class="size-full" data-wp_upload_id="x-coredata://982C6129-E900-4D84-9D10-664C9AA3F008/Media/p8565"></p>
<p>Gallery Text :</p>
<div class="artwork__intro__desc" itemprop="description" style="-webkit-font-smoothing: antialiased; box-sizing: border-box; margin-top: 19px; overflow: hidden; position: relative; caret-color: rgb(0, 0, 6); color: rgb(0, 0, 6); font-family: MetSans, "Helvetica Neue", Helvetica, Arial, sans-serif; font-size: 18px; font-style: normal; font-variant-caps: normal; font-weight: 300; letter-spacing: 0.5px; orphans: auto; text-align: start; text-indent: 0px; text-transform: none; white-space: normal; widows: auto; word-spacing: 0px; -webkit-tap-highlight-color: rgba(26, 26, 26, 0.301961); -webkit-text-size-adjust: auto; -webkit-text-stroke-width: 0px; text-decoration: none">
<p style="-webkit-font-smoothing: antialiased; box-sizing: border-box; margin: 4px 0px 0px; padding: 0px">It was not unusual for the resident British of nineteenth-century Delhi to buy ruined or abandoned Mughal or Sultanate buildings and monuments, which they then converted from their original functions to habitable spaces. This painting illustrates the conversion of a hammam (bath house) into a living room, complete with a piano or harpsichord, a bench, and an assortment of glass bottles and other objects. The white floor inlaid with flower motifs resembles that of the hammam at the Red Fort in Delhi, where a British national had been installed by the early nineteenth century.</p>
</div>
<p><a href="https://www.metmuseum.org/art/collection/search/453350">https://www.metmuseum.org/art/collection/search/453350</a></p>
<p><img decoding="async" src="file:///var/mobile/Containers/Data/Application/13B56B71-BE6F-4B7B-8A76-9463D0133C9E/Library/Caches/Media/thumbnail-p8566-2208x2208.jpeg" class="size-full" data-wp_upload_id="x-coredata://982C6129-E900-4D84-9D10-664C9AA3F008/Media/p8566"></p>
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