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    Court of the Lions (Patio de los Leones), Nasirid Palaces, Alhambra, Spain

    Court of the Lions (Patio de los Leones), Nasirid Palaces, Alhambra, Spain

    Angels in murals on Badal Mahal, Bundi Fort

    Angels in murals on Badal Mahal, Bundi Fort

    The Gazelle vase in Alhambra, Granada, Spain

    The Gazelle vase in Alhambra, Granada, Spain

    The Court of the Lions in Nasirid Palace Alhambra, Granada, Spain

    The Court of the Lions in Nasirid Palace Alhambra, Granada, Spain

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    Confluence not Erasure: The Church of El Salvador in Toledo, Spain

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    Mezquita/Cathedral del Cristo de la Luz – Where Architecture Tells a Tale

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    The Synagogue of Santa María la Blanca In Toledo, Spain—often called the “City of Three Cultures”

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    Neptune Fountain in Berlin

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    Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

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    Abu Serga Church, Cairo

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    The Exquisite Badal Mahal in Bundi Part 1

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    Ulugh Beg’s Observatory in Samarqand, Uzbekistan

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      Court of the Lions (Patio de los Leones), Nasirid Palaces, Alhambra, Spain

      Court of the Lions (Patio de los Leones), Nasirid Palaces, Alhambra, Spain

      Angels in murals on Badal Mahal, Bundi Fort

      Angels in murals on Badal Mahal, Bundi Fort

      The Gazelle vase in Alhambra, Granada, Spain

      The Gazelle vase in Alhambra, Granada, Spain

      The Court of the Lions in Nasirid Palace Alhambra, Granada, Spain

      The Court of the Lions in Nasirid Palace Alhambra, Granada, Spain

      Confluence not Erasure: The Church of El Salvador in Toledo, Spain

      Confluence not Erasure: The Church of El Salvador in Toledo, Spain

      Mezquita/Cathedral del Cristo de la Luz – Where Architecture Tells a Tale

      Mezquita/Cathedral del Cristo de la Luz – Where Architecture Tells a Tale

      The Synagogue of Santa María la Blanca In Toledo, Spain—often called the “City of Three Cultures”

      The Synagogue of Santa María la Blanca In Toledo, Spain—often called the “City of Three Cultures”

      East Side Gallery, Berlin

      Neptune Fountain in Berlin

      Neptune Fountain in Berlin

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      Aligarh’s Jama Masjid

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      Darbar of Guru Ram Rai in Dehradun

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      Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

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      Abu Serga Church, Cairo

      The Exquisite Badal Mahal in Bundi Part 1

      The Exquisite Badal Mahal in Bundi Part 1

      Jhanjhiri Mosque in Jaunpur

      Jhanjhiri Mosque in Jaunpur

      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

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      Ulugh Beg’s Observatory in Samarqand, Uzbekistan

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      Rani Ki Baori, Bundi, Rajasthan

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      Book review, Mint Lounge, Tears of the Begums

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      Tears of Begums: Stories of those who survived the 1857 war

      The first English translation of Khwaja Hasan Nizami’s 1922 Urdu best-seller, ‘Begumat Ke Ansoo’, gives the book a new, accessible texture

      The first war of independence of 1857 or ghadar, or the uprising, was a turning point in Indian history—it not only ended the more than 300-year, almost uninterrupted rule of the Mughal dynasty but also put India under the direct control of the British queen. Within the next 90 years, the country was changed culturally and sociopolitically—and the map of united India was altered forever.

      There have been books about the aftermath of the 1857 uprising—thousands of freedom fighters, including those from the royal family, were either killed, jailed or exiled. Tears Of The Begums, a new book, is an account of the survivors of 1857.

      Originally written in Urdu and first published in 1922 by Khwaja Hasan Nizami as Begumat Ke Ansoo, it was an instant best-seller, reprinted and republished many times and translated into many Indian languages—this is the first time, however, that it comes into English.

      Nizami, born in the late 1870s in a family with Sufi lineage, was a scholarly and spiritual man who wrote 12 books based on the events of 1857. All of them were based on eyewitness accounts of survivors. Of these, Begumat Ke Ansoo was the most successful.

      Its translator, Rana Safvi, opens with a lyrical introduction, giving readers historical context to the stories. Then there is a piece of poetry on the fall of Delhi, aptly titled Shahr Ashob (Lament Of A City), whose three couplets give readers a clear hint of what lies ahead.

      Chapters one and two are about the Mughal emperor Bahadur Shah Zafar, his disposition, and his last days as a ruler. The remaining chapters are stories based on the accounts and interviews of survivors, mostly of royal descent, of the first war of independence. In some, the author uses a fictional narrator to weave together stories gathered from disparate sources. The florid narrative style of the original Urdu text, partly influenced by the dastangoi style of storytelling, is replete with metaphors, similes and hyperbole, offering a feel of the 19th century.

      Despite the inherent challenges of translating such prose into a foreign language and idiom, Safvi, an acclaimed historian herself, has not just rendered it into English but has given it a new and accessible texture. The translator even flags contradictory historical facts or factual errors that she notices, so that readers can make informed decisions on how much and what part of the story to believe. The lilting tonality and cadence of the original Urdu have been retained. Safvi is smart in using footnotes, instead of a glossary, to explain words, characters or historical events.https://lifestyle.livemint.com/how-to-lounge/books/tears-of-begums-stories-of-those-who-survived-the-1857-war-111666932361104.html

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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