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    Aligarh’s Jama Masjid

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    Darbar of Guru Ram Rai in Dehradun

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    Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

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    Abu Serga Church, Cairo

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    The Exquisite Badal Mahal in Bundi Part 1

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    Jhanjhiri Mosque in Jaunpur

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    Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

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    Ulugh Beg’s Observatory in Samarqand, Uzbekistan

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    Rani Ki Baori, Bundi, Rajasthan

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    Bundi Fort, Rajasthan

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    Rock Paintings in Bundi, Rajasthan

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    A Classical Nayika in Indian Paintings

    Jhat pat Bibi ki kahani

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    Jahangir ‘s Jade Cup

    The Jama Masjid in Bodh Gaya

    The Jama Masjid in Bodh Gaya

    Buddha statues in Guimet Museum, Paris

    Buddha statues in Guimet Museum, Paris

    Museum of Scholars, Khiva , Uzbekistan

    Museum of Scholars, Khiva , Uzbekistan

    Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

    Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

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    Samanid Mausoleum in Bukhara

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      Aligarh’s Jama Masjid

      Aligarh’s Jama Masjid

      Darbar of Guru Ram Rai in Dehradun

      Darbar of Guru Ram Rai in Dehradun

      Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

      Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

      Abu Serga Church, Cairo

      Abu Serga Church, Cairo

      The Exquisite Badal Mahal in Bundi Part 1

      The Exquisite Badal Mahal in Bundi Part 1

      Jhanjhiri Mosque in Jaunpur

      Jhanjhiri Mosque in Jaunpur

      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

      Ulugh Beg’s Observatory in Samarqand, Uzbekistan

      Ulugh Beg’s Observatory in Samarqand, Uzbekistan

      Rani Ki Baori, Bundi, Rajasthan

      Rani Ki Baori, Bundi, Rajasthan

      Bundi Fort, Rajasthan

      Bundi Fort, Rajasthan

      Rock Paintings in Bundi, Rajasthan

      Rock Paintings in Bundi, Rajasthan

      A Classical Nayika in Indian Paintings

      A Classical Nayika in Indian Paintings

      Jhat pat Bibi ki kahani

      Jhat pat Bibi ki kahani

      Jahangir ‘s Jade Cup

      Jahangir ‘s Jade Cup

      The Jama Masjid in Bodh Gaya

      The Jama Masjid in Bodh Gaya

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      Buddha statues in Guimet Museum, Paris

      Museum of Scholars, Khiva , Uzbekistan

      Museum of Scholars, Khiva , Uzbekistan

      Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

      Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

      Samanid Mausoleum in Bukhara

      Samanid Mausoleum in Bukhara

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      All about Paan, Paandaan and Paan Kharch

      inOur Cultural Heritage
      0

      “Meri Tehzeeb ke sab rang bhi Kya le gayiN daadi
      LaboN par paan Ki surkhi, na hathoN me “sarauta” hai!!”

      #NadeemGuft

      While growing up the sight of a paandaan was a common one in our houses.
      Most houses kept a functioning paandaan and even if the lady/gentleman of the house didn’t eat it , it was kept to be offered to guests.

      The paandaan itself consists of a fitted tray on top on which the leaves were kept in a damp cloth and underneath the receptacles for chuna, kathha, supari, tambaakoo, laung, elaichi etc

      The pan would be made applying all or some of the ingredients and folded into a triangular shape called ‘gilori’. The act of folding was an art

      image

      This would then be covered with silver warq and held together by nailing it with a laung -clove.
      It would then be kept in a khasdaan , sonetimes strung in a silver guchcha (like a keyring with tiny silver nails.

      So steeped was the paan in Indian culture that allowance given to women would be called paan kharch.

      image

      Ghiyas-ud-din Khalji, the Sultan of Mandu (r. 1469–1500), watches as tender betel leaves of the finest quality are spread out and rosewater is sprinkled on them, while saffron is also added. An elaborate betel chew or paan would contain fragrant spices and rose preserves with chopped areca nuts, folio from 16th century cookbook, Nimmatnama-i Nasiruddin-Shahi
      Paan is said to be a blood purifier, has strong digestive properties, and is an oral deodorant.
      When making paan one takes a tender, water soaked betel leaf. The spine of the leaf is broken because during rains, water collects in it.
      The top and the bottom are cut about half a centimeter.
      a bit of slaked lime paste chuna is applied on it
      kattha is applied generously, mixing it well with his fingertip. Kathha is a reddish-brown solution from the bark of the tree Acacia catechu. After that other ingredients are as per taste.
      But we are spoiling the name of a wonderful tradition by spitting it all over the place.

      In the middle east paan is banned because people from the sub continent spit all over. In fact in Muscat I heard if the police catch someone chewing paan they tape his/her mouth and take them to the police station!

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      Betel or bétele (Portuguese) derived from the Malayalam word vettila. Vetel in Malayalam means Betel and ila means leaf
      The betel leaf is known as Paan in Bangla and Hindi, Tambula and Nagavalli in Sanskrit, and Tanbul in Persian.

      image 

      It is a creeper and needs highland and very fertile land

      There is archaeological evidence that the betel leaves have been chewed along with the areca nut since very ancient times.
      Its use in India dates back to 400 BC. As per ancient books of Ayurveda, Charaka, Sushruta Samhitas and Kashyapa Bhojanakalpa, the practice of chewing betel leaves after meals became common between 75 AD and 300 AD.
      Vatsyayana, the author of Kamasutra, included the betel leaf in the solah singar or the sixteen adornments.
      Towards the 13th century, European traveller Marco Polo recorded, betel chewing among kings and nobles in India.
      In India it was popularised by Nur Jahan.

      How to make Plain Paan (Saada Paan)

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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