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    Samode Palace near Jaipur

    Samode Palace near Jaipur

    Char Bangla Temple, Azimganj, West Bengal

    Char Bangla Temple, Azimganj, West Bengal

    Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

    Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

    Sarai Nur Mahal in Punjab

    Sarai Nur Mahal in Punjab

    The Moorish Mosque in Kapurthala, Punjab

    The Moorish Mosque in Kapurthala, Punjab

    Tomb of Haji Jamal in Nakodar, Punjab

    Tomb of Haji Jamal in Nakodar, Punjab

    The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

    The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikh ana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Gajantak incarnation of Lord Shiva on the Outer Walls of Kalinjar Fort

    Amravati Ashram in Chitrakoot

    Mrigdhara in Kalinjar Fort, Bundelkhand

    Mrigdhara in Kalinjar Fort, Bundelkhand

    Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

    Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

    Kal Bhairava in Kalinjar Fort

    Kal Bhairava in Kalinjar Fort

    Chaturbhuj Temple, Orchha

    Chaturbhuj Temple, Orchha

    Dandeshwar group of Temples near Almora

    Dandeshwar group of Temples near Almora

    Moti Bagh Mosque, Agra

    Moti Bagh Mosque, Agra

    The art of khatamband or decorative ceilings of Kashmir

    The art of khatamband or decorative ceilings of Kashmir

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    Rozabal in Srinagar, Kashmir

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      Samode Palace near Jaipur

      Samode Palace near Jaipur

      Char Bangla Temple, Azimganj, West Bengal

      Char Bangla Temple, Azimganj, West Bengal

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Sarai Nur Mahal in Punjab

      Sarai Nur Mahal in Punjab

      The Moorish Mosque in Kapurthala, Punjab

      The Moorish Mosque in Kapurthala, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

      The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

      The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikh ana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Gajantak incarnation of Lord Shiva on the Outer Walls of Kalinjar Fort

      Amravati Ashram in Chitrakoot

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Kalinjar Fort

      Kal Bhairava in Kalinjar Fort

      Chaturbhuj Temple, Orchha

      Chaturbhuj Temple, Orchha

      Dandeshwar group of Temples near Almora

      Dandeshwar group of Temples near Almora

      Moti Bagh Mosque, Agra

      Moti Bagh Mosque, Agra

      The art of khatamband or decorative ceilings of Kashmir

      The art of khatamband or decorative ceilings of Kashmir

      Rozabal in Srinagar, Kashmir

      Rozabal in Srinagar, Kashmir

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      Aain- bandi / aaina-kari~ mirrorwork on buildings

      inOur Cultural Heritage
      0

      āʼīna-bandī, s.f. Ornamenting with mirrors

      aaina Kari – The art of covering a façade with small pieces of glass mirrors – glass mirror mosaics or mirrorwork.

      Mirror work or ornamenting with mirrors is an art which involves using various sized mirrors to make an ordered, symmetric and geometrical design to decorate the interior of a building, thus creating a luminous appearance.

      It seems to have originated in Iran under the reign of Shah Tahmasp (1524-1576 A.D) in a building in the city of Qazvin in north-western Iran. It is a laborious and intricate craft and requires great deal of skill and patience.

      From Iran it came to India and one can see it in the Sheesh Mahal in Agra Fort, and some of the rooms in the Zenana Mahal in the Red Fort. Its artistic brilliance can be seen in the Sheesh mahal in Amer Palace, where the legendary song Pyaar kiya to darna kya was shot for the film Mughal e Azam.

      The light reflecting in these mirrors create a magical effect.

      Like all architecture, even mirror designs are first drawn on paper. The designer then transfers them onto the walls and ceilings with special needles. Then mirrors, about one millimeter thick, previously cut into shape as per design are stuck on to the surface with glue.

      Sometimes mirrors can be used as inlay in the plaster work or woodwork itself.

      the remains of mirror work in the zenana mahal of Red Fort
      A niche in the exterior wall of Sheesh Mahal, Amer
      The outside verandah of the Sheesh Mahal, Amer
      Sheesh Mahal, Amer
      Entrance of Chihil Sutun, Isfahan, Iran 17th century
      Golestan Palace, Tehran, Iran

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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      © 2018 Rana Safvi - A blog Exploring Ganga Jamuni Tehzeeb of India, website handcrafted by Abu Sufiyan.