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    My favorite artworks from European Museums

    My favorite artworks from European Museums

    Gandhara Art in Humboldt Forum: Life of Lord Buddha

    Gandhara Art in Humboldt Forum: Life of Lord Buddha

    Jewish Heroes Square in Krakow, Poland

    Jewish Heroes Square in Krakow, Poland

    Block no. 4 in Auschwitz concentration camp

    Block no. 4 in Auschwitz concentration camp

    Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

    Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

    The Steam Engine Building, Potsdam, Germany

    The Steam Engine Building, Potsdam, Germany

    Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

    Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

    Catacombs in St Peter’s Abbey Salzburg, Austria

    Catacombs in St Peter’s Abbey Salzburg, Austria

    St Nicholas Church in #Leipzeg, #Germany

    St Nicholas Church in #Leipzeg, #Germany

    Gloriette, Schonbrunn Palace, Vienna,Austria

    Gloriette, Schonbrunn Palace, Vienna,Austria

    Matthias Church on Buda Castle Hill, Budapest

    Matthias Church on Buda Castle Hill, Budapest

    The Neptune fountain in Schonbrunn Palace, Vienna, Austria

    The Neptune fountain in Schonbrunn Palace, Vienna, Austria

    The Dohany Street synagogue in Budapest

    St Peter’s Abbey Church in Salzburg, Austria

    St Peter’s Abbey Church in Salzburg, Austria

    The Residence Fountain in Salzburg: Oundof Music

    The Residence Fountain in Salzburg: Oundof Music

    Sultana Daku and Raj Bhawan of Nainital

    Sultana Daku and Raj Bhawan of Nainital

    Sultana Daku and Raj Bhawan of Nainital

    Sultana Daku and Raj Bhawan of Nainital

    Jahan koshan cannon, Murshidabad

    Jahan koshan cannon, Murshidabad

    Takht-e Marar, Golestan Palance, Teheran, Iran

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      My favorite artworks from European Museums

      My favorite artworks from European Museums

      Gandhara Art in Humboldt Forum: Life of Lord Buddha

      Gandhara Art in Humboldt Forum: Life of Lord Buddha

      Jewish Heroes Square in Krakow, Poland

      Jewish Heroes Square in Krakow, Poland

      Block no. 4 in Auschwitz concentration camp

      Block no. 4 in Auschwitz concentration camp

      Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

      Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

      The Steam Engine Building, Potsdam, Germany

      The Steam Engine Building, Potsdam, Germany

      Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

      Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

      Catacombs in St Peter’s Abbey Salzburg, Austria

      Catacombs in St Peter’s Abbey Salzburg, Austria

      St Nicholas Church in #Leipzeg, #Germany

      St Nicholas Church in #Leipzeg, #Germany

      Gloriette, Schonbrunn Palace, Vienna,Austria

      Gloriette, Schonbrunn Palace, Vienna,Austria

      Matthias Church on Buda Castle Hill, Budapest

      Matthias Church on Buda Castle Hill, Budapest

      The Neptune fountain in Schonbrunn Palace, Vienna, Austria

      The Neptune fountain in Schonbrunn Palace, Vienna, Austria

      The Dohany Street synagogue in Budapest

      St Peter’s Abbey Church in Salzburg, Austria

      St Peter’s Abbey Church in Salzburg, Austria

      The Residence Fountain in Salzburg: Oundof Music

      The Residence Fountain in Salzburg: Oundof Music

      Sultana Daku and Raj Bhawan of Nainital

      Sultana Daku and Raj Bhawan of Nainital

      Sultana Daku and Raj Bhawan of Nainital

      Sultana Daku and Raj Bhawan of Nainital

      Jahan koshan cannon, Murshidabad

      Jahan koshan cannon, Murshidabad

      Takht-e Marar, Golestan Palance, Teheran, Iran

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      Bahadur Shah Zafar’s Poem About The 1857 Revolt & Dilli-The Garden Of Harmony

      Rana Safvi Translates Zafar's Poem

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      The British Resident in Delhi, the Assistant Resident, and the Commandant of the Escort, escorting Mughal Emperor Bahadur Shah Zafar II’s procession to celebrate the feast of Id. Ink and colours on paper. Source: British Library Website. Author: Sir Thomas Metcalfe, 4th Baronet

      After the fall of Delhi on 14thSeptember 1857, following a four-month siege in which the Indian soldiers fought the British East India Company under the banner ofBahadur Shah Zafar, the Mughal Empire ended. TheBritish troops were victorious over the Indian sepoys fighting them.

      Mughal emperor Abu Zafar Sirajuddin Muhammad Bahadur Shah Zafar, aka Bahadur Shah Zafar II. (1775-1862), in May 1858, “in captivity in Delhi awaiting trial by the British for his support of the Uprising of 1857-58” and before his departure for exile in Rangoon. This is possibly the only photograph ever taken of a Mughal emperor. Source: British Library.

      On 17thSeptember 1857, Bahadur Shah Zafar fled from the Red Fort to minimise loss of lives in the Walled City of Shahjahanabad, as he feared the wrath of the British on the hapless residents. He went to Humayun’s tomb for refuge and was captured from there by Major Hodson on 21stSeptember 1857. He was imprisoned in a house in Shahjahanabad, where he had once reigned from September 1857 till the end of 1858, when he was sent to Rangoon.

      Though he tried to shield his subjects, Zafar’s prayers and entreaties really had no effect as the residents of Shahjahanabad were severely punished, killed, looted and thrown out of the city. The city was penalized and vacated of people, whom the British labelled as enemies.

      Ghalib laments that while the Hindus were allowed to return in January 1858 the Muslims were allowed to return only a decade later. The Uprising was seen by the British as “Mohammedan conspiracy making capital of Hindu grievances” and so they suffered the wrath of the British Empire.

      The 82-year-old poet, Mughal Emperor was not only imprisoned, tried for sedition, sentenced to be exiled but was deprived of pencil and paper through which he could express his anguish. He ended up scribbling ghazals with charcoal on the walls of his room. These were smuggled out and even after he went to Rangoon were remembered. They could exile him but not his words or memories.

      Last Mughal Emperor Bahadur Shah Zafar with sons Mirza Jawan Bakht & Mirza Shah Abbas in exile in Burma in the aftermath of the Indian Mutiny (1857-1859)

      One such ghazal became an anthem of the dispossessed after the British took over and was sung by wandering minstrels. In 1862, the [British] Political Agent of Bhopal, sent a report to his superiors asking for a ban on it.

      I translate it for the benefit of readers who are unaware of the facts of the first War of Indian Independence and the role of Bahadur Shah Zafar in it.

      Gayi yak-ba-yak jo hawa palat nahin dil ko mere qaraar hai

      Karun us sitam ko main kya bayan mera gham se seena figar hai

      (The winds of fate changed suddenly, my heart is inconsolable

      How can I describe the pain, my chest is heavy with melancholy)

       

      Ye reaya-e-hind tabah hui kahun kya jo in pe jafa hui

      Jise dekha hakim-e-waqt ne kaha ye bhi qabil-e-dar hai

      (Indians have been ruined, one can’t describe their oppression

      The new rulers condemned everyone they saw worthy of the gallows)

       

      Ye kisi ne zulm bhi hai suna ki di phansi logon ko be-gunah

      Wahi kalma-goyon ki samt se abhi dil mein un ke bukhar hai

      (Has anyone heard of such tyranny? That innocents were sent to the gallows!

      The rulers still bear such enmity towards those who recite the Islamic creed)

       

      Na tha shahr-e-dehli ye tha chaman kaho kis tarah ka tha yaa’n aman

      Jo khitab tha wo mita diya faqat ab to ujda dayar hai

      (Delhi was never just a city, it was a garden of harmony

      They have erased all signs of that, now only a ruined waste remains)

       

      Yahi tang haal jo sab ka hai ye karishma qudrat-e-rab ka hai

      Jo bahaar thi so Khiza’n huyi, jo Khiza’n thi ab wo bahaar hai

      (These straitened conditions that we all find ourselves in, is divinely ordained

      The spring has turned into the decay of autumn ,while the decay has turned to spring for some)

       

      Shab-o-roz phool mein jo tule kaho Khaar-e-gham ko wo kya sahe

      Mile tauq qaid mein jab unhe’n kaha gul ke badle ye haar hai

      (Those who were weighed in flowers, morn and night, how can they bear the thorns of grief?

      They were given shackles of imprisonment and told to embrace it as as a garland of flowers)

       

      Sabhi jaada matam-e-sakht hai, kaho kaisi gardish-e-bakht hai

      Na wo taj hai na wo takht hai na wo shah hai na dayar hai

      (Everywhere there is the lament and wails of mourning, how terrible is the turn of fate

      Neither the crown, nor the throne, nor the emperor or the kingdom remains)

       

      Jo sulook karte the aur se wahi ab hain kitne zalil se

      Wo hain tang charkh ke jaur se, raha tan pe un ke na tar hai

      (Those who once reigned are now dealt humiliation

      They are oppressed by the wheel of fortune, not a shred remains on their body)

      Naa wabaal tan pe hai sar mera, nahin jaan jaane ka Dar zara

      Kate gham hi, nikle jo dam mera mujhe apni zindagi baar hai

      (My head on my body is no longer a calamity, nor is there a fear of dying

      When my head is cut off, I will be at peace for my life is an unbearable burden)

       

      Kya hai gham Zafar tujhe hashr ka jo khuda ne chaha to barmala

      Hamein hai wasila Rasul ka wo hamara hami-e-kar hai

      (Why are you worried about doomsday Zafar, whatever God wishes comes to pass

      I am hopeful that the Prophet will be my supporter on that Last Day of Judgment)

      Zafar spoke for all those who sacrificed their lives in The First War of Indian Independence. It is up to us to remember and honour their memories

      Published on NewsCentral24x7

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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      © 2018 Rana Safvi - A blog Exploring Ganga Jamuni Tehzeeb of India, website handcrafted by Abu Sufiyan.