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    Mausoleum of Shad-e (or Shadi) Mulk Aga in Shah e Zinda, Samarqand

    Mausoleum of Mahmud Pahlavon in Khiva, Uzbekistan

    The tomb of Baba Rukn al-Din Shirazi, Takht-i Fulad, Isfahan, Iran

    The Summer Mosque of the Arc in Khiva, Uzbekistan

    Shrine of Sheikh Zainuddin Bobo in Tashkent, Uzbekistan

    The Madrasas ( educational institutions) of Ulugh Beg

    The Madrasas ( educational institutions) of Ulugh Beg

    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    AkshayVat in Allahabad/ Prayagraj

    AkshayVat in Allahabad/ Prayagraj

    Helical stepwell in Pavagadh area of Gujarat

    Islam Khoja ensemble in Khiva,Uzbekistan

    Mysore Silk and Tipu Sultan

    Mysore Silk and Tipu Sultan

    Lord Buddha statue in Chandigarh Museum

    Akbar’s Inscription in The Ranakpur Jain Temple

    Neelkanth Temple in Kumbhalgarh

    Neelkanth Temple in Kumbhalgarh

    Vijai Stambh in Chittorgarh Fort

    The importance of River Yamuna in Vrindavan

    The importance of River Yamuna in Vrindavan

    Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

    Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Kanishka statue in Mathura museum

    Kanishka statue in Mathura museum

    Shahji ka Mandir, Vrindavan

    Shahji ka Mandir, Vrindavan

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      Mausoleum of Shad-e (or Shadi) Mulk Aga in Shah e Zinda, Samarqand

      Mausoleum of Mahmud Pahlavon in Khiva, Uzbekistan

      The tomb of Baba Rukn al-Din Shirazi, Takht-i Fulad, Isfahan, Iran

      The Summer Mosque of the Arc in Khiva, Uzbekistan

      Shrine of Sheikh Zainuddin Bobo in Tashkent, Uzbekistan

      The Madrasas ( educational institutions) of Ulugh Beg

      The Madrasas ( educational institutions) of Ulugh Beg

      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      AkshayVat in Allahabad/ Prayagraj

      AkshayVat in Allahabad/ Prayagraj

      Helical stepwell in Pavagadh area of Gujarat

      Islam Khoja ensemble in Khiva,Uzbekistan

      Mysore Silk and Tipu Sultan

      Mysore Silk and Tipu Sultan

      Lord Buddha statue in Chandigarh Museum

      Akbar’s Inscription in The Ranakpur Jain Temple

      Neelkanth Temple in Kumbhalgarh

      Neelkanth Temple in Kumbhalgarh

      Vijai Stambh in Chittorgarh Fort

      The importance of River Yamuna in Vrindavan

      The importance of River Yamuna in Vrindavan

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Kanishka statue in Mathura museum

      Kanishka statue in Mathura museum

      Shahji ka Mandir, Vrindavan

      Shahji ka Mandir, Vrindavan

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      Bibi ka Maqbara in Aurangabad

      inMedieval Indian History, My Travels, Our Cultural Heritage
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      Bibi ka Maqbara built for Rabia Durrani, wife of Aurangzeb Alamgir in Aurangabad is always compared to Taj Mahal and has suffered for the comparison
      Recently, I came across an essay by Laura Parodi and looked at it as again
      Catherine Asher was the first to note and diffrenciate that the Bibi-ka Maqbara “is different in notable ways’;in particular, ‘there is an emphasis on the building’s verticality, not the harmonious balance of proportions as at the Taj. This rapid shift in spatial arrangement triggers innovative directions for eighteenth- and nineteenth-century architecture.”
      Rabia Durrani died in 1657, a year before the War of Succession
      This could also be the reason for the building to be attributed to Prince Azam his son.
      Aurangabad was the capital from where Aurangzeb acted as governor of the Deccan and this tomb was meant to signal his powers
      According to Parodi, “The ‘compact verticality’ and ‘spatial tension’ displayed by the Bibi-ka Maqbara when compared to its supposed prototype, the Taj Mahal appear clearly reminiscent of Bijapuri architecture, in which crowning elements are often emphasized to the virtual dwarfing of the buildings below, as may be seen in the Ibrahim Rawza. Bibi-ka Maqbara seems to follow Deccani practice both in the use of tall minarets (at the Taj, they are not higher than the central building) and in the crowded arrangement of superstructures, though here Mughal chatris replace the typical Bijapuri guldasta finials.
      A Bijapuri influence is moreover evident in the engaged corner turrets : these seem meant to counterbalance the vertically expressed by the central pishtaq-and-dome combination with an equally vertical accent, whereas in the Taj Mahal’s mausoleum, a balance was achieved by means of a broader base, tempered by chamfered corners, here rejected in favour of a more traditional square structure.”
      Another difference is the mortuary chamber which is viewed from above & contains only the actual grave. In that it resembles Aurangzeb ‘s own simple grave.
      The locals consider it blessed and shower offerings over it.
      The architect Ataullah Rashid, by the way was the eldest son of Ustad Ahmed Lahori the architect of Taj Mahal.

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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