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    Kanishka statue in Mathura museum

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      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      AkshayVat in Allahabad/ Prayagraj

      AkshayVat in Allahabad/ Prayagraj

      Helical stepwell in Pavagadh area of Gujarat

      Mysore Silk and Tipu Sultan

      Mysore Silk and Tipu Sultan

      Lord Buddha statue in Chandigarh Museum

      Akbar’s Inscription in The Ranakpur Jain Temple

      Neelkanth Temple in Kumbhalgarh

      Neelkanth Temple in Kumbhalgarh

      Vijai Stambh in Chittorgarh Fort

      The importance of River Yamuna in Vrindavan

      The importance of River Yamuna in Vrindavan

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Kanishka statue in Mathura museum

      Kanishka statue in Mathura museum

      Shahji ka Mandir, Vrindavan

      Shahji ka Mandir, Vrindavan

      Gopinath Mandir in Vrindavan

      Gopinath Mandir in Vrindavan

      The Govind Deva temple in Vrindavan

      The Govind Deva temple in Vrindavan

      Difference between Gandhara and Mathura School of Art

      Difference between Gandhara and Mathura School of Art

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      St John in the Wilderness Church in Nainital

      St John in the Wilderness Church in Nainital

      A mural in Chehul Sutun, Isfahan, Iran showing battle between Nadir Shah and Mughal Emperor Muhammad Shah

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      The Rasa Mandala of Lord Krishna in Bundi Fort

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      Poetic Insults Traded Between Ghalib and Zauq over a Sehra

      inSher o Sukhan
      0

      The art of writing sehra or prothalamion is now a vanishing genre nowadays. I remember while I was growing up that almost all weddings would have a sehra read by some relative with poetic aspirations after the nikah. Though they are supposed to be in praise of the groom and a prayer for his future wedded life, these would be witty and laudatory at the same time. It’s usually a humorous take at all the relatives. A copy of this would then be distributed to all the wedding guests.

      They fall into the category of nazms and had to be in meter.

      Of course the most famous sehra is the one by Mirza Ghalib (1797-1869) in which he took a dig at the Emperor’s Ustad, Sheikh Ibrahim Zauq (1788/9-1854). Zauq was given the title of Khaqani e Hind and drew a nominal salary of Rs 4/. The respect and position that he gained as a result was immense. It also gave him free access to the Qila e Moalla (Red Fort). This was a constant thorn in the side of Mirza Ghalib who always felt he was better and should have got a royal position too. He never let go of any chance to score poetic points over his rival.

      It was the last grand Mughal wedding on 2nd April 1852 – that of Badshah Bahadur Shah Zafar’s son Jawan Bakht by his favourite and youngest wife Zeenat Mahal to Nawab Shah Zamani Begum.

      Begum Zeenat Begum asked Ghalib to write a ‘sehra’ for her son, Mirza Jawan Bakth’s wedding. The honour should have gone to Sheikh Ibrahim Zauq but he was reportedly unwell.

      William Dalrymple in his book “The Last Mughal” writes :
      “The marriage procession of Prince Jawan Bakht left the Lahore Gate of the Red Fort at 2 a.m. on the hot summer night of 2 April, 1852.”
      and he goes on to write that what was remembered longest and discussed most eagerly was not so much the festivities or the feasting or the fireworks, as the marraige odes recited by the Poet Laureate Zauq, and his rival Mirza Nausha, now more widely known by his pen-name Ghalib.”

      “The squabble at the wedding was over a single verse in Ghalib’s sehra (or wedding oration) where he appeared–characteristically–to suggest that no one in the gathering could write a couplet as well as he…. Zafar also encouraged Zauq to reply to Ghalib’s unprovoked sally. The fine sehra that the Poet Laureate came up with ended with a couplet tossing the challenge back to Ghalib:

      The person who claims poetic skills,
      Recite this to him and say,
      “Look–this is how a poet”

      This round went to Zauq as the singers in attendance, picked up the verse and spread it all over Shahjahanabad. By next day it was in the newspapers

      This is the famous ‘clash between Mirza Ghalib and Sheikh Ibrahim Zauq over the writing of the royal ‘sehra’ ( a celebratory poem at time of a wedding in honour of the groom, It’s usually a humorous take on marriage, relatives and festivities connected with the wedding, interspersed with praises and wishes for the groom. ).

      Bahadur Shah Zafar’s favorite wife, Begum Zeenat Begum asked Ghalib to write a ‘sehra’ for her son, Mirza Jawan BaKth’s wedding.

      The honour should have gone to Sheikh Ibrahim Zauq but he was reportedly unwell.

      Complying with the Empress’ wish, Ghalib wrote a ‘sehra’ whose maqta* was:

      ‘hum suKhan_fahm haiN, Ghalib ke tarafdaar nahiN
      dekheN keh de koi is sehre se baRh kar sehra’ **

      We are connoisseurs of poetry, not partial to Ghalib
      Let’s see if there’s anyone who can write a better ‘sehra’

      The Emperor realizing that this was a dig at his mentor Zauq is said to have been displeased with the maqt’a. A slight to his mentor was seen as a slight to the Emperor himself. Zafar asked Zauq to write a ‘sehra’ as well . Not one to let go of an opportunity , Zauq included these lines:

      jin ko daawa ho suKhan ka yeh sunaa do unko
      dekh is taraH se kehte haiN suKhanwar sehra

      Tell those who claim to be eloquent
      This is how poets write a sehra

      The Fort reverberated with this clash of titans and It is recorded that the Crown Prince Mirza Fakhruddin (also a disciple of Mirza Zauq) exclaimed, “Ustaad ne maidan maar liya”

      Ghalib wrote his celebrated ‘qat’a-e-ma’azerat’ ( letter of apology) in response to the Emperor’s reaction. However, the egoistic Ghalib left no ‘verse’ unturned in adding insult to injury, using poetry as a medium to prove his supremacy. and take a dig at Zauq’s ancestry and the Emperor’s neglicience towards himself. The maqta of this ghazal became even more famous.

      manzoor hai guzaarish-e-ahvaal-e-waaqa’aii
      apna bayaan-e-Husn-e-tabii’yat nahiN mujhe

      I accept the request to state the facts,
      To praise oneself is not a habit of mine

      sau pusht se, hai pesha-e-aaba sipahgari
      kuchh shayari, zari’ye-e-izzat nahiN mujhe

      My forefathers have been warriors for hundred generations
      By writing poetry, fame I seek not

      aazaadah rau huN, aur mira maslak hai sulH-e-kul
      hargiz kabhi kisi se adaawat nahiN mujhe

      I am a free spirit and my conduct is always peaceful,
      I bear malice against no one

      kya kam hai yeh sharaf ke Zafar ka Ghulaam huN
      maana ke jaah-o-mansab-o-sarwat nahiN mujhe

      Is the privilege not enough that I serve Zafar ,
      Agreed rank, position and affluence I have not

      ustaad-e-shah se ho mujhe parKhaash ka Khayaal
      yeh taab, yeh majaal, yeh taaqat nahiN mujhe

      The thought of a row with the king’s mentor
      This arrogance, this audacity, this strength I have not

      jaam-e-jahaaN_numa hai shahenshaah ka zameer
      saugand aur gawaah ki Haajat nahiN mujhe

      The king’s conscience is all encompassing,
      The need for an oath and witness I have not

      sehraa likhaa gaya ze_rah-e-imtiSaal-e-amr
      dekhaa ke chaarah Ghair ita’at nahiN mujhe

      The sehra was written in obedience of orders,

      Non compliance with that order I dare not

      maqt’e meiN aa paRi hai suKhan gustaraana baat
      maqsood is se qat’a-e-moHabbat nahiN mujhe

      I wrote something in the maqta’ which became popular,
      A reason to ending friendship I want not.

      ruu-e-suKhan kisi taraf ho, tau ruu_siyaah
      sauda nahiN, junooN nahiN, veHshat nahiN mujhe

      If I aimed it at someone in particular then may my face be
      blackened,
      I am neither mad, nor crazed nor so deprived of sense.

      qismat buri sahii, pa tabii’yat buri nahiN
      hai shukr ki jagah, ke shikaayat nahiN mujhe

      Although my luck is bad, but my habits aren’t bad,
      I’m in a place of thankfulness and complain I do not.

      saadiq huN apne qaul meiN Ghalib Khuda_gawaah
      kehta huN sach ke jhooT ki a’adat nahiN mujhe

      Always true to his word is Ghalib, as God is my witness,
      I tell you the truth as lie I do not.

      *The maqta is the last verse of a ghazal in which the poet’s takhallus, or pen name, is employed

      This is the original sehra written by Ghalib for Mirza Jawan Bakht

      Here is the ‘sehra’ written by Ghalib for the wedding of Bahadur Shah Zafar’s
      son Javan Bakht.

      Khush ho ai baKht ke hai aaj tere sar sehraa
      baaNdh shahazada Javaa.N baKht ke sar par seharaa

      [baKht = luck; pun on Groom’s name]

      kyaa hii is chaaNd se mukhaDe pe bhalaa lagataa hai
      hai tere husn-e-dil_afroz kaa zevar sehraa

      [husn-e-dil_afroz = beauty that lights up the heart]

      sar pe chaDhnaa tujhe phabataa hai par ai tarf-e-kulaah
      mujhko Dar hai ke na chhiine tera lambar sehraa

      [phabataa = suits]

      nav bhar kar hii piroye gaye honge motii
      varnaa kyun laaye hain kishtii mein lagaakar sehraa

      saat dariyaa ke faraaham kiye honge motii
      tab banaa hogaa is andaaz kaa gaz bhar sehraa

      ruKh pe dulhaa ke jo garmii se pasiinaa Tapakaa
      hai rag-e-abr-e-guharabaar saraasar sehraa

      ye bhii ik be’adabii thii ke qabaa se baDh jaaye
      rah gayaa aan ke daaman ke baraabar sehraa

      jii me.n itaraaye.N na motii ke hamii.n hai.n ik chiiz
      chaahiye phuulon ko bhii ek mukarrar sehraa

      jab ke apane mein samaave’n na Khushii mein maare
      guu.Ndhe phuulon kaa bhalaa phir koii kyuu.Nkar sehraa

      ruKh-e-raushan kii damak gauhar-e-Galtaa kii chamak
      kyuN na dikhalaaye faroG-e-maah-o-aKhtar sehraa

      taar resham kaa nahii.n hai ye rag-e-abr-e-bahaar
      laayegaa taab-e-giraa.Nbaari-e-gauhar sehraa

      ham suKhan_faham hain “Ghalib” ke tarafadaar nahii.n
      dekhe.n is sehare se kah de koii ba.Dhakar sehraa

      [suKhan_faham = patron of poetry/ kaavyaa parakhane vaalaa

       

      ZAUQ’s SEHRA

      Ai Javaan Bakht mubarak tujhe sar par sehra

      Aaj hai Yaman wa Sada’t ka tere sar sehra

      Aaj woh din hai ke laaye durr e anjum se falak

      Kashti e zar mah e nau ke lagakar sehra

      Tabish husn se manind shua e khursheed

      Rukh e pur noor pe hai tere munawwar sehra

      Woh kahe Salle Alay eh kahe SubhanAllah

      Dekhe mukhade pe jot ere mah o akhtar sehra

      Taa banni aur banne mein rahe ikhlas baham

      Goondhiye sura e ikhlas padhkar sehra

      Dhoom hai gulshan e afaaq mein is sehre ki

      Gaaye’n marghaan e nava sanj na kyunkar sehra

      Ru e farkh pe jo hain tere baraste anwar

      Taar e barish se bana ek sarasar sehra

      Ek ko ek pe tazai’n hai dam e araaish

      Sir pe dastar hai, dastar ke oopar sehra

      Ek gauhar bhi nahin sadgaan e gauhar mein choda

      Tera banwaaya hai le leke jo gauhar sehra

      Phirti khushboo se hai itraayi huyi baad e bahaar

      Allah Allah re phoolo’n se moatta’r sehraa

      Sar pe turra hai muzaiyyan to gale mein baddhi

      Kangana haath mein zeba hai to munh par sehra

      Runumayi mein tujhe de mah o khurshid o falak

      Khol de munh ko jot u munh se uthakar sehra

      Kasrat e taar e nazar se hai tamaashiyo’n ke

      Dam e nazara tere ru e niko par sehra

      Durr e khush aab e mazameen se banakar laaya

      Waaste tere tera Zauq sanagar sehra

       

      Jis ko daawa hai suKhan ka yeh sunaa de usko
      Dekh is taraH se kehte haiN suKhanwar sehra

       

       

       

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      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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