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    Samode Palace near Jaipur

    Samode Palace near Jaipur

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    Char Bangla Temple, Azimganj, West Bengal

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    Sarai Nur Mahal in Punjab

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    The Moorish Mosque in Kapurthala, Punjab

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    Tomb of Haji Jamal in Nakodar, Punjab

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    The Hathikhana or Khan e Dauran’s estate in Agra

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    Mrigdhara in Kalinjar Fort, Bundelkhand

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    Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

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    Kal Bhairava in Kalinjar Fort

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    Chaturbhuj Temple, Orchha

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    Dandeshwar group of Temples near Almora

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    Moti Bagh Mosque, Agra

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    The art of khatamband or decorative ceilings of Kashmir

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      Samode Palace near Jaipur

      Samode Palace near Jaipur

      Char Bangla Temple, Azimganj, West Bengal

      Char Bangla Temple, Azimganj, West Bengal

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Sarai Nur Mahal in Punjab

      Sarai Nur Mahal in Punjab

      The Moorish Mosque in Kapurthala, Punjab

      The Moorish Mosque in Kapurthala, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

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      The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

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      The Hathikh ana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Gajantak incarnation of Lord Shiva on the Outer Walls of Kalinjar Fort

      Amravati Ashram in Chitrakoot

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Kalinjar Fort

      Kal Bhairava in Kalinjar Fort

      Chaturbhuj Temple, Orchha

      Chaturbhuj Temple, Orchha

      Dandeshwar group of Temples near Almora

      Dandeshwar group of Temples near Almora

      Moti Bagh Mosque, Agra

      Moti Bagh Mosque, Agra

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      The art of khatamband or decorative ceilings of Kashmir

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      Ghalib’s response to a verse wrongly credited to him

      inSher o Sukhan
      0

      Jashn e Ghalib
      27th December
      I love to read and re-read Ghalib’s response to a very popular verse credited to him but which wasn’t his

      “khudaa ke vaaste parda na Kaaba se uthaa vaaiz
      kahiin aisaa na ho yaan bhii wohi kaafir sanam nikle ”

      [ for the Lord’s sake, don’t lift the curtain from the Ka’bah, Preacher! // may it not somehow be that here too that same infidel idol would emerge]

      In a letter written in 1858 to his friend who was given the responsibility of printing his Divan –

      [ Brother Shihab ud-Din Khan, for the Lord’s sake, what have you and Hakim Ghulam Najaf Khan done to my divan?! These verses that you’ve sent– the Lord knows what son of a bitch [vald al-zanaa] has inserted them! The divan has been printed. If these verses are in the text, then they’re mine; and if they’re in the margins, then they’re not mine. In short, even if these verses would be found in the text, then consider that some accursed prostitutor-of-his-wife [zan-jalab] has scratched out the real poetry and and written in this trash. In short, whatever scoundrel is the author of these verses, curses on his father and his grandfather and his great-grandfather, back to the seventh generation of the bastards [vald al-haraam]! More than this, what can I write? ]

      One more letter written in 1859 to his friend ( extracts )

      I used the pen-name of Asad, otherwise I’ve been using only ‘Ghalib’. And don’t you look also at the style of the writing [tarz-e tahriir], and the path of the thought [ravish-e fikr]? My poetry– and so ‘ornamented, varnished, deceitful’ [muzakhraf]! This story is at an end.

      This verse was written by Ghalib but he felt it was below par and didn’t publish in the Divan
      ” zaraa kar zor siine par kih tiir-e pur-sitam nikle
      jo vuh nikle to dil nikle jo dil nikle to dam nikle ”

      [please just put a bit of pressure on my breast, so that the tyranny-filled arrow would emerge // if that would emerge, then the heart would emerge; if the heart would emerge, then the breath/life would emerge].

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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      © 2018 Rana Safvi - A blog Exploring Ganga Jamuni Tehzeeb of India, website handcrafted by Abu Sufiyan.