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    My favorite artworks from European Museums

    My favorite artworks from European Museums

    Gandhara Art in Humboldt Forum: Life of Lord Buddha

    Gandhara Art in Humboldt Forum: Life of Lord Buddha

    Jewish Heroes Square in Krakow, Poland

    Jewish Heroes Square in Krakow, Poland

    Block no. 4 in Auschwitz concentration camp

    Block no. 4 in Auschwitz concentration camp

    Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

    Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

    The Steam Engine Building, Potsdam, Germany

    The Steam Engine Building, Potsdam, Germany

    Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

    Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

    Catacombs in St Peter’s Abbey Salzburg, Austria

    Catacombs in St Peter’s Abbey Salzburg, Austria

    St Nicholas Church in #Leipzeg, #Germany

    St Nicholas Church in #Leipzeg, #Germany

    Gloriette, Schonbrunn Palace, Vienna,Austria

    Gloriette, Schonbrunn Palace, Vienna,Austria

    Matthias Church on Buda Castle Hill, Budapest

    Matthias Church on Buda Castle Hill, Budapest

    The Neptune fountain in Schonbrunn Palace, Vienna, Austria

    The Neptune fountain in Schonbrunn Palace, Vienna, Austria

    The Dohany Street synagogue in Budapest

    St Peter’s Abbey Church in Salzburg, Austria

    St Peter’s Abbey Church in Salzburg, Austria

    The Residence Fountain in Salzburg: Oundof Music

    The Residence Fountain in Salzburg: Oundof Music

    Sultana Daku and Raj Bhawan of Nainital

    Sultana Daku and Raj Bhawan of Nainital

    Sultana Daku and Raj Bhawan of Nainital

    Sultana Daku and Raj Bhawan of Nainital

    Jahan koshan cannon, Murshidabad

    Jahan koshan cannon, Murshidabad

    Takht-e Marar, Golestan Palance, Teheran, Iran

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      My favorite artworks from European Museums

      My favorite artworks from European Museums

      Gandhara Art in Humboldt Forum: Life of Lord Buddha

      Gandhara Art in Humboldt Forum: Life of Lord Buddha

      Jewish Heroes Square in Krakow, Poland

      Jewish Heroes Square in Krakow, Poland

      Block no. 4 in Auschwitz concentration camp

      Block no. 4 in Auschwitz concentration camp

      Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

      Ottoman tent in Princess Czartoryski Museum in Krakow, Poland

      The Steam Engine Building, Potsdam, Germany

      The Steam Engine Building, Potsdam, Germany

      Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

      Assyrian human-headed winged bull from Nimrud; 9th cent. BCE; Pergamon Museum, Berlin

      Catacombs in St Peter’s Abbey Salzburg, Austria

      Catacombs in St Peter’s Abbey Salzburg, Austria

      St Nicholas Church in #Leipzeg, #Germany

      St Nicholas Church in #Leipzeg, #Germany

      Gloriette, Schonbrunn Palace, Vienna,Austria

      Gloriette, Schonbrunn Palace, Vienna,Austria

      Matthias Church on Buda Castle Hill, Budapest

      Matthias Church on Buda Castle Hill, Budapest

      The Neptune fountain in Schonbrunn Palace, Vienna, Austria

      The Neptune fountain in Schonbrunn Palace, Vienna, Austria

      The Dohany Street synagogue in Budapest

      St Peter’s Abbey Church in Salzburg, Austria

      St Peter’s Abbey Church in Salzburg, Austria

      The Residence Fountain in Salzburg: Oundof Music

      The Residence Fountain in Salzburg: Oundof Music

      Sultana Daku and Raj Bhawan of Nainital

      Sultana Daku and Raj Bhawan of Nainital

      Sultana Daku and Raj Bhawan of Nainital

      Sultana Daku and Raj Bhawan of Nainital

      Jahan koshan cannon, Murshidabad

      Jahan koshan cannon, Murshidabad

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      In Cave 16: the Kailasa temple

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      journey through one of the largest rock-cut temples in the world

      Rana Safvi

      05 AUGUST 2018

      https://www.thehindu.com/opinion/columns/in-cave-16-the-kailasa-temple/article24604281.ece/amp/

      According to a legend cited in the 10th century book Katha Kalpa Taru, some time in the 8th century, the queen of the Rashtrakuta ruler Elu made a vow that she would not eat till a magnificent temple was built to Lord Shiva, and she saw its amlaka (finial). The king invited many architects, but none of them was able to fulfil this vow. Finally, an architect named Kokasa from Paithan completed the task in no time. This story is narrated by M.K. Dhavalikar in Ellora: Monumental Legacy.

      Legend aside, the construction of the temple began during the rule of the Rashtrakuta king, Dantidurga (735-757 AD). A group of skilled artisans cut and carved the vertical face of the basalt rock of a hill in Elapura, known today as Ellora, near Aurangabad. Unlike the Buddhists who made carvings inside the rock to construct cave temples, this group cut the rock internally and externally, with exquisite precision, to build a monolithic rock temple. The result is the magnificent Kailasa temple, one of the largest rock-cut temples in the world. Major work on the temple was done by King Dantidurga’s successor, Krishna I (757-773 AD), although work continued under many successive kings for more than a century.

      Inside the Kailasa temple

      There are 32 caves in Ellora, numbered according to their age. Temples 1 to 12 in the southern side are the Buddhist caves. Temples 13 to 29 are the Hindu caves, and in the northern side are the Jain temples. I knew that if I started at cave 16, the Kailasa temple, I would never see the rest. So, keeping it as a treat for myself, I started at cave 32.

      The first thing I saw when I finally reached cave 16 was a huge rock screen with carvings and a two-level doorway with eaves on top. A door on the lower level leads into the double-storey gopuram, which has exquisitely carved sculptures on the walls. Goddesses Ganga and Yamuna flank the entrance gateway.

      The gopuram at the lower level leads to the portico. The full glory of this colossal monolith hits you when you leave the portico, on either side of which are the north and south courts with life-size elephants and a victory pillar framing the Kailasa. It is this iconic image that I had seen many times in photographs.

      There are five subsidiary shrines around the main temple in the circumambulatory path that runs along the side of the hill. This includes a shrine dedicated to river goddesses Ganga, Yamuna and Saraswati, and a yajna-shala (hall of sacrifice).

      However, the main temple is the most impressive. The elephants and lions that form the high plinth of the main temple signify Rashtrakuta power and prosperity. Rock steps in the left court lead up to the top where Nandi and a 36-column mandap with a Shiv ling are located. There are many beautiful carvings: of Durga, Mahishasuramardini, Gajalakshmi seated in a lotus pool, Shiva as Ardhanari and Virbhadra, Ravana shaking the Kailash parvat, and the Mahabharata and Ramayana panels.

      After spending many hours looking at these perfections, I climbed up to the top of the mountain from which the temple is carved. You can see the whole complex from there.

      The carving of the temple started from the top of the mountain but a pit was later dug around the temple on the sloping side of the hill, about 106 feet deep at its innermost side, 160 ft wide and 280 ft in length. The temple stands in the middle of this pit. Its highest point is the shikhar at 96 ft.

      Features of the main temple

      Apart from the gopura, the main temple has a sabha griha (hall), vestibules and a Nandi mandap which leads to the garba griha (sanctum) with the Shiv linga, all of which are profusely carved and with Dravidian shikharas (towers). A bridge connects the Nandi mandap to the gopuram.

      The stiff climb up the hill was made worthwhile by the loveliness of the lotus on the roof of the sanctum. The lotus is crowned by a finial with four mythical lions, each facing one cardinal direction. Looking at the magnificence of the temple, I wondered: Was all this made using just a hammer and a chisel or was there a divine force at work too?

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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      © 2018 Rana Safvi - A blog Exploring Ganga Jamuni Tehzeeb of India, website handcrafted by Abu Sufiyan.