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    Samode Palace near Jaipur

    Samode Palace near Jaipur

    Char Bangla Temple, Azimganj, West Bengal

    Char Bangla Temple, Azimganj, West Bengal

    Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

    Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

    Sarai Nur Mahal in Punjab

    Sarai Nur Mahal in Punjab

    The Moorish Mosque in Kapurthala, Punjab

    The Moorish Mosque in Kapurthala, Punjab

    Tomb of Haji Jamal in Nakodar, Punjab

    Tomb of Haji Jamal in Nakodar, Punjab

    The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

    The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikh ana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Gajantak incarnation of Lord Shiva on the Outer Walls of Kalinjar Fort

    Amravati Ashram in Chitrakoot

    Mrigdhara in Kalinjar Fort, Bundelkhand

    Mrigdhara in Kalinjar Fort, Bundelkhand

    Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

    Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

    Kal Bhairava in Kalinjar Fort

    Kal Bhairava in Kalinjar Fort

    Chaturbhuj Temple, Orchha

    Chaturbhuj Temple, Orchha

    Dandeshwar group of Temples near Almora

    Dandeshwar group of Temples near Almora

    Moti Bagh Mosque, Agra

    Moti Bagh Mosque, Agra

    The art of khatamband or decorative ceilings of Kashmir

    The art of khatamband or decorative ceilings of Kashmir

    Rozabal in Srinagar, Kashmir

    Rozabal in Srinagar, Kashmir

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      Samode Palace near Jaipur

      Samode Palace near Jaipur

      Char Bangla Temple, Azimganj, West Bengal

      Char Bangla Temple, Azimganj, West Bengal

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Sarai Nur Mahal in Punjab

      Sarai Nur Mahal in Punjab

      The Moorish Mosque in Kapurthala, Punjab

      The Moorish Mosque in Kapurthala, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

      The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

      The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikh ana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Gajantak incarnation of Lord Shiva on the Outer Walls of Kalinjar Fort

      Amravati Ashram in Chitrakoot

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Kalinjar Fort

      Kal Bhairava in Kalinjar Fort

      Chaturbhuj Temple, Orchha

      Chaturbhuj Temple, Orchha

      Dandeshwar group of Temples near Almora

      Dandeshwar group of Temples near Almora

      Moti Bagh Mosque, Agra

      Moti Bagh Mosque, Agra

      The art of khatamband or decorative ceilings of Kashmir

      The art of khatamband or decorative ceilings of Kashmir

      Rozabal in Srinagar, Kashmir

      Rozabal in Srinagar, Kashmir

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      Mihrab in Iran National Museum

      inMy Travels
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      This mihrab in the Iran National Museum mesmerised me with it’s beauty with it’s calligraphy and lustre tiles.
      A Mihrab is a niche in the mosque wall which indicates the direction of the Qibla ( towards Mecca -the direction in which Muslims pray)
      This mihrab was made in 1333 AD in Qom for the Ali Ibn Jafar shrine by Yusuf ibn Abu Tahir it has calligraphy in three styles : Thuluth, Kufi and Naskh.


      Calligraphy as an art form has always been popular from time immemorial but it was under the Islamic rules in various countries that it reached its zenith as images of living beings were forbidden in Islam.
      1. Kufi: the word Kufi comes from the Iraqi town of Kufa.
      It is characterized by:

      • Angular letter shapes
      • Short, broad vertical strokes and long extended horizontals
      • Written on a horizontal baseline
      • 2. Naskh : Naskh is round script distinct from Kufic which is angular. Naskh, was developed in the 10th century, and refined into a fine art form and became an accepted style for writing the Holy Quran. “Naskh” is derived from the verb “nasakha,” meaning “to transcribe or copy.
        Its characteristics are
      • Small script, neat and balanced
      • Letter shapes are more fluid and curved than rayhani
      • Letters lean slightly to the left
      • Descending letters end in an upward hook
      • Equal division between flat and round shapes and heavy and light strokes
      • Highly legible, clear and quick to write 3.Thuluth :Pronounced “thoo-looth”; Turkish–Sulus)
        “Thuluth” means “one-third.” This possibly refers to its pen size (one-third the size of the pen used for a larger script called tumar)
        It is used for writing many different kinds of texts and particulary for titles and architectural inscriptions
        It was developed in 10th c A
        It is characterised by
      • Vertical strokes have a leftward slant, horizontals have a deep curve
      • The ends of most descending letters come up in a hook
      • Often written so the letters interlace
      • Many alternate letter forms exist in this script
        Lustre technology is a style of glazing and is a shiny affect applied on the surface of ceramics, to replicate the sheen and mottling of semiprecious stones

      museumTreasures

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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      © 2018 Rana Safvi - A blog Exploring Ganga Jamuni Tehzeeb of India, website handcrafted by Abu Sufiyan.