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    Samode Palace near Jaipur

    Samode Palace near Jaipur

    Char Bangla Temple, Azimganj, West Bengal

    Char Bangla Temple, Azimganj, West Bengal

    Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

    Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

    Sarai Nur Mahal in Punjab

    Sarai Nur Mahal in Punjab

    The Moorish Mosque in Kapurthala, Punjab

    The Moorish Mosque in Kapurthala, Punjab

    Tomb of Haji Jamal in Nakodar, Punjab

    Tomb of Haji Jamal in Nakodar, Punjab

    The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

    The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikh ana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Hathikhana or Khan e Dauran’s estate in Agra

    The Gajantak incarnation of Lord Shiva on the Outer Walls of Kalinjar Fort

    Amravati Ashram in Chitrakoot

    Mrigdhara in Kalinjar Fort, Bundelkhand

    Mrigdhara in Kalinjar Fort, Bundelkhand

    Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

    Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

    Kal Bhairava in Kalinjar Fort

    Kal Bhairava in Kalinjar Fort

    Chaturbhuj Temple, Orchha

    Chaturbhuj Temple, Orchha

    Dandeshwar group of Temples near Almora

    Dandeshwar group of Temples near Almora

    Moti Bagh Mosque, Agra

    Moti Bagh Mosque, Agra

    The art of khatamband or decorative ceilings of Kashmir

    The art of khatamband or decorative ceilings of Kashmir

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    Rozabal in Srinagar, Kashmir

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      Samode Palace near Jaipur

      Samode Palace near Jaipur

      Char Bangla Temple, Azimganj, West Bengal

      Char Bangla Temple, Azimganj, West Bengal

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Was BNR House in Garden Reach Kolkata Wajid Ali Shah’s Sultan Mahal?

      Sarai Nur Mahal in Punjab

      Sarai Nur Mahal in Punjab

      The Moorish Mosque in Kapurthala, Punjab

      The Moorish Mosque in Kapurthala, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

      Tomb of Haji Jamal in Nakodar, Punjab

      The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

      The Tomb of Ustad Muhammad Mumin Hussain in Nakodar, Punjab

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikh ana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Hathikhana or Khan e Dauran’s estate in Agra

      The Gajantak incarnation of Lord Shiva on the Outer Walls of Kalinjar Fort

      Amravati Ashram in Chitrakoot

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Mrigdhara in Kalinjar Fort, Bundelkhand

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Sati Ansuyya ghat in Chitrakoot

      Kal Bhairava in Kalinjar Fort

      Kal Bhairava in Kalinjar Fort

      Chaturbhuj Temple, Orchha

      Chaturbhuj Temple, Orchha

      Dandeshwar group of Temples near Almora

      Dandeshwar group of Temples near Almora

      Moti Bagh Mosque, Agra

      Moti Bagh Mosque, Agra

      The art of khatamband or decorative ceilings of Kashmir

      The art of khatamband or decorative ceilings of Kashmir

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      Rozabal in Srinagar, Kashmir

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      Moharrum Terminology

      inOur Cultural Heritage
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      Explaining some Moharrum terminology for those who may not know

      First of all many people wonder why Shias self flagellate every Moharrum.
      The reason is that in 61 hijri after the martyrdom of Imam Hussain and the menfolk of his family including his 6 month old son there was oppression against them. They were denied kafans and burial. Their heads were cut off and impaled on spears to be taken to the royal court in Damascus
      The family of Imam Hussain( except for one sick male surviving member – Imam Zainul Abidin, only women and children) was immediately imprisoned and made to march as prisoners to Damascus to the court of Yezid.
      They were not allowed to weep their dead.
      Today Shias compensate for that

      Imambara : This is different from a mosque as prayers are not held here. Its used for gaTherings where the sacrifice of Imam Hussain is commemorated and talked about

      image

      Majlis : A congregation at an Imambara, which follows a fairly precise procedure, is called a #majlis

      A #majlis follows a set pattern first
      1. Sozkhani or the singing of marsiyas or elegies of unparalleled beauty set in classical raaga
      The musical origin of #sozkhani was the Hindustani classical tradition of vocal music and its concept of ragas.
      However, the singing was not accompanied by any instruments.
      The elegies sung were poetic compositions devoted to the martyrdom of Hussain by some the finest poets that have lived in India &in Persia

      2. Hadis : this is divided in 2 parts
      1) fazail – general discussion on points of religion
      2)sacrifice of Imam Hussain and his family

      3. Nauha : This is followed by nauha or elegies set to music ( no instruments) which describe the martyrdom of Imam Hussain accompanied by matam

      Matam : beating of chest in beat with the nauha. This is to express solidarity with the Sorrow of Imam Hussain’s family.

      Alam : this is a symbol of Hazrat Abbas the commander in chief of Imam Hussain’s army. Its the army standard and he was the standard bearer.
      He is also calked Abbas Alamdar

      Zarih : every Imambara has this. Its a replica of the mausoleum of Imam Hussain Karbala. These are made of wood, brass, silver and gold and are permanently kept there

      Taziya : These are again replicas of the mausoleum but are made of paper and bamboo and are buried on 10th Moharrum – ashoor

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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      © 2018 Rana Safvi - A blog Exploring Ganga Jamuni Tehzeeb of India, website handcrafted by Abu Sufiyan.