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    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    AkshayVat in Allahabad/ Prayagraj

    AkshayVat in Allahabad/ Prayagraj

    Helical stepwell in Pavagadh area of Gujarat

    Mysore Silk and Tipu Sultan

    Mysore Silk and Tipu Sultan

    Lord Buddha statue in Chandigarh Museum

    Akbar’s Inscription in The Ranakpur Jain Temple

    Neelkanth Temple in Kumbhalgarh

    Neelkanth Temple in Kumbhalgarh

    Vijai Stambh in Chittorgarh Fort

    The importance of River Yamuna in Vrindavan

    The importance of River Yamuna in Vrindavan

    Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

    Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Kanishka statue in Mathura museum

    Kanishka statue in Mathura museum

    Shahji ka Mandir, Vrindavan

    Shahji ka Mandir, Vrindavan

    Gopinath Mandir in Vrindavan

    Gopinath Mandir in Vrindavan

    The Govind Deva temple in Vrindavan

    The Govind Deva temple in Vrindavan

    Difference between Gandhara and Mathura School of Art

    Difference between Gandhara and Mathura School of Art

    The tiled staircase in Ali Qapu Palace in Isfahan, Iran

    The tiled staircase in Ali Qapu Palace in Isfahan, Iran

    St John in the Wilderness Church in Nainital

    St John in the Wilderness Church in Nainital

    A mural in Chehul Sutun, Isfahan, Iran showing battle between Nadir Shah and Mughal Emperor Muhammad Shah

    The Rasa Mandala of Lord Krishna in Bundi Fort

    The Rasa Mandala of Lord Krishna in Bundi Fort

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      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      AkshayVat in Allahabad/ Prayagraj

      AkshayVat in Allahabad/ Prayagraj

      Helical stepwell in Pavagadh area of Gujarat

      Mysore Silk and Tipu Sultan

      Mysore Silk and Tipu Sultan

      Lord Buddha statue in Chandigarh Museum

      Akbar’s Inscription in The Ranakpur Jain Temple

      Neelkanth Temple in Kumbhalgarh

      Neelkanth Temple in Kumbhalgarh

      Vijai Stambh in Chittorgarh Fort

      The importance of River Yamuna in Vrindavan

      The importance of River Yamuna in Vrindavan

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Kanishka statue in Mathura museum

      Kanishka statue in Mathura museum

      Shahji ka Mandir, Vrindavan

      Shahji ka Mandir, Vrindavan

      Gopinath Mandir in Vrindavan

      Gopinath Mandir in Vrindavan

      The Govind Deva temple in Vrindavan

      The Govind Deva temple in Vrindavan

      Difference between Gandhara and Mathura School of Art

      Difference between Gandhara and Mathura School of Art

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      St John in the Wilderness Church in Nainital

      St John in the Wilderness Church in Nainital

      A mural in Chehul Sutun, Isfahan, Iran showing battle between Nadir Shah and Mughal Emperor Muhammad Shah

      The Rasa Mandala of Lord Krishna in Bundi Fort

      The Rasa Mandala of Lord Krishna in Bundi Fort

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      Moharrum Terminology

      inOur Cultural Heritage
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      Explaining some Moharrum terminology for those who may not know

      First of all many people wonder why Shias self flagellate every Moharrum.
      The reason is that in 61 hijri after the martyrdom of Imam Hussain and the menfolk of his family including his 6 month old son there was oppression against them. They were denied kafans and burial. Their heads were cut off and impaled on spears to be taken to the royal court in Damascus
      The family of Imam Hussain( except for one sick male surviving member – Imam Zainul Abidin, only women and children) was immediately imprisoned and made to march as prisoners to Damascus to the court of Yezid.
      They were not allowed to weep their dead.
      Today Shias compensate for that

      Imambara : This is different from a mosque as prayers are not held here. Its used for gaTherings where the sacrifice of Imam Hussain is commemorated and talked about

      image

      Majlis : A congregation at an Imambara, which follows a fairly precise procedure, is called a #majlis

      A #majlis follows a set pattern first
      1. Sozkhani or the singing of marsiyas or elegies of unparalleled beauty set in classical raaga
      The musical origin of #sozkhani was the Hindustani classical tradition of vocal music and its concept of ragas.
      However, the singing was not accompanied by any instruments.
      The elegies sung were poetic compositions devoted to the martyrdom of Hussain by some the finest poets that have lived in India &in Persia

      2. Hadis : this is divided in 2 parts
      1) fazail – general discussion on points of religion
      2)sacrifice of Imam Hussain and his family

      3. Nauha : This is followed by nauha or elegies set to music ( no instruments) which describe the martyrdom of Imam Hussain accompanied by matam

      Matam : beating of chest in beat with the nauha. This is to express solidarity with the Sorrow of Imam Hussain’s family.

      Alam : this is a symbol of Hazrat Abbas the commander in chief of Imam Hussain’s army. Its the army standard and he was the standard bearer.
      He is also calked Abbas Alamdar

      Zarih : every Imambara has this. Its a replica of the mausoleum of Imam Hussain Karbala. These are made of wood, brass, silver and gold and are permanently kept there

      Taziya : These are again replicas of the mausoleum but are made of paper and bamboo and are buried on 10th Moharrum – ashoor

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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