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    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    AkshayVat in Allahabad/ Prayagraj

    AkshayVat in Allahabad/ Prayagraj

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    Mysore Silk and Tipu Sultan

    Mysore Silk and Tipu Sultan

    Lord Buddha statue in Chandigarh Museum

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    Neelkanth Temple in Kumbhalgarh

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    The importance of River Yamuna in Vrindavan

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    Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Kanishka statue in Mathura museum

    Kanishka statue in Mathura museum

    Shahji ka Mandir, Vrindavan

    Shahji ka Mandir, Vrindavan

    Gopinath Mandir in Vrindavan

    Gopinath Mandir in Vrindavan

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    The Govind Deva temple in Vrindavan

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    Difference between Gandhara and Mathura School of Art

    The tiled staircase in Ali Qapu Palace in Isfahan, Iran

    The tiled staircase in Ali Qapu Palace in Isfahan, Iran

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    St John in the Wilderness Church in Nainital

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    The Rasa Mandala of Lord Krishna in Bundi Fort

    The Rasa Mandala of Lord Krishna in Bundi Fort

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      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      AkshayVat in Allahabad/ Prayagraj

      AkshayVat in Allahabad/ Prayagraj

      Helical stepwell in Pavagadh area of Gujarat

      Mysore Silk and Tipu Sultan

      Mysore Silk and Tipu Sultan

      Lord Buddha statue in Chandigarh Museum

      Akbar’s Inscription in The Ranakpur Jain Temple

      Neelkanth Temple in Kumbhalgarh

      Neelkanth Temple in Kumbhalgarh

      Vijai Stambh in Chittorgarh Fort

      The importance of River Yamuna in Vrindavan

      The importance of River Yamuna in Vrindavan

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Kanishka statue in Mathura museum

      Kanishka statue in Mathura museum

      Shahji ka Mandir, Vrindavan

      Shahji ka Mandir, Vrindavan

      Gopinath Mandir in Vrindavan

      Gopinath Mandir in Vrindavan

      The Govind Deva temple in Vrindavan

      The Govind Deva temple in Vrindavan

      Difference between Gandhara and Mathura School of Art

      Difference between Gandhara and Mathura School of Art

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      St John in the Wilderness Church in Nainital

      St John in the Wilderness Church in Nainital

      A mural in Chehul Sutun, Isfahan, Iran showing battle between Nadir Shah and Mughal Emperor Muhammad Shah

      The Rasa Mandala of Lord Krishna in Bundi Fort

      The Rasa Mandala of Lord Krishna in Bundi Fort

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      The terracotta temple of Bhattabati: The Hindu

      inMy Travels
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      Looked after by villagers, the Ratneshwar temple in Murshidabad is a symbol of communal harmony

      The famous Hazarduari Palace of Murshidabad drew me to this once grand capital of the Nawabs of Bengal, now a dusty town in West Bengal.

      For someone who chases monuments and forgotten ruins across the country, everything Murshidabad had to offer fascinated me.

      When my guide told me about the Nawabi buildings on the other side of the Bhagirathi, I was more than happy to cross. The ferry took cars, cycles, scooters, goats, hens and people.

      A post by Kolkata blogger Amitabha Gupta had already alerted me about an old terracotta temple here, and we went in search of it. And, amidst banana trees and green fields, I found the most exquisite terracotta temple.

      It was a small temple, and as the sun’s rays fell on it, its red brick surface glowed, the shade from the trees adding a dappled effect.

      The temple is in the village of Bhattabati. The legend goes that the place got its name from the Bhata Brahmin families who came from Karnataka and settled here in the reign of Alauddin Husain Shah (1494-1519).

      Not much is known of the builder of this 18th century Shiva temple called Ratneshwar. It has five pinnacles, of which the central one is considerably taller than the rest.

      The terracotta panels which cover the surface of the temple are spectacular.

      The Ratneshwar temple stands on a plinth and is looked after well by the villagers, which include many Muslims. The temple is about 10 metres in height. The door to the shrine is kept locked but opened on request

      The terracotta panels on the temple have religious and secular scenes, and describe scenes from the life of Rama and Krishna, talk of kings, queens, dancing girls, reclining noblemen, troupes of musicians, women tabalchis, hunting and wedding scenes and more.

      The figures have worn down over time. Every inch is covered by these remarkable terracotta scenes, including a lower panel with a version of terracotta warriors.

      An exquisite panel on the western side depicts Durga in her mahishasura mardini form. She is flanked by Lakshmi and Saraswati. There are two rather large hunters on top of this panel. A small dog and a hawk in a cage accompany them. The detailing is fantastic.

      The northern wall has a huge sculpture of Vishnu in the Vaman avatar. The sculpture shows the three steps that Vaman took to subdue the asura Mahabali. One points towards the sky, the second is on earth, and the third is firmly on King Mahabali’s head. Unfortunately, the portion showing the foot on Mahabali is damaged. Above is an exquisite ras-lila scene.

      The eastern panel is a large but severely damaged statue of possibly the matsya avatar of Vishnu.

      This temple with its mythology, artistic perfection and message of communal harmony is something that symbolises India to me. I hope it is preserved before it is fully lost to us.

      https://www.thehindu.com/society/history-and-culture/the-terracotta-temple-of-bhattabati/article26676392.ece

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      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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