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    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

    AkshayVat in Allahabad/ Prayagraj

    AkshayVat in Allahabad/ Prayagraj

    Helical stepwell in Pavagadh area of Gujarat

    Mysore Silk and Tipu Sultan

    Mysore Silk and Tipu Sultan

    Lord Buddha statue in Chandigarh Museum

    Akbar’s Inscription in The Ranakpur Jain Temple

    Neelkanth Temple in Kumbhalgarh

    Neelkanth Temple in Kumbhalgarh

    Vijai Stambh in Chittorgarh Fort

    The importance of River Yamuna in Vrindavan

    The importance of River Yamuna in Vrindavan

    Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

    Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Shri Niwas or the House of Mirrors in Jaipur’s City Palace

    Kanishka statue in Mathura museum

    Kanishka statue in Mathura museum

    Shahji ka Mandir, Vrindavan

    Shahji ka Mandir, Vrindavan

    Gopinath Mandir in Vrindavan

    Gopinath Mandir in Vrindavan

    The Govind Deva temple in Vrindavan

    The Govind Deva temple in Vrindavan

    Difference between Gandhara and Mathura School of Art

    Difference between Gandhara and Mathura School of Art

    The tiled staircase in Ali Qapu Palace in Isfahan, Iran

    The tiled staircase in Ali Qapu Palace in Isfahan, Iran

    St John in the Wilderness Church in Nainital

    St John in the Wilderness Church in Nainital

    A mural in Chehul Sutun, Isfahan, Iran showing battle between Nadir Shah and Mughal Emperor Muhammad Shah

    The Rasa Mandala of Lord Krishna in Bundi Fort

    The Rasa Mandala of Lord Krishna in Bundi Fort

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      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      Dargah of Sheikh Raju Qattal in Khuldabad, Maharashtra

      AkshayVat in Allahabad/ Prayagraj

      AkshayVat in Allahabad/ Prayagraj

      Helical stepwell in Pavagadh area of Gujarat

      Mysore Silk and Tipu Sultan

      Mysore Silk and Tipu Sultan

      Lord Buddha statue in Chandigarh Museum

      Akbar’s Inscription in The Ranakpur Jain Temple

      Neelkanth Temple in Kumbhalgarh

      Neelkanth Temple in Kumbhalgarh

      Vijai Stambh in Chittorgarh Fort

      The importance of River Yamuna in Vrindavan

      The importance of River Yamuna in Vrindavan

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Tajuddin Baba of Nagpur or Shahenshah-e Haft-e Aqleem Hazrat Baba Tajuddin

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Shri Niwas or the House of Mirrors in Jaipur’s City Palace

      Kanishka statue in Mathura museum

      Kanishka statue in Mathura museum

      Shahji ka Mandir, Vrindavan

      Shahji ka Mandir, Vrindavan

      Gopinath Mandir in Vrindavan

      Gopinath Mandir in Vrindavan

      The Govind Deva temple in Vrindavan

      The Govind Deva temple in Vrindavan

      Difference between Gandhara and Mathura School of Art

      Difference between Gandhara and Mathura School of Art

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      The tiled staircase in Ali Qapu Palace in Isfahan, Iran

      St John in the Wilderness Church in Nainital

      St John in the Wilderness Church in Nainital

      A mural in Chehul Sutun, Isfahan, Iran showing battle between Nadir Shah and Mughal Emperor Muhammad Shah

      The Rasa Mandala of Lord Krishna in Bundi Fort

      The Rasa Mandala of Lord Krishna in Bundi Fort

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      The Tomb of Princess Jahanara

      inHazrat-E-Dilli, Rana's Space
      0

      Baghair subza na poshad kase mazar mara
      Ki qabr posh ghariban hamin gayah bas-ast
      (There cannot be any other curtain of my tomb except the humble covering of grass.
      Grass alone is sufficient to cover the grave of a poor person, as I am )*

      The plaque starts with Allah’s name Hayyul Al Qayyum _He is the Living, the Sustaining

      the next 2 lines are the verse by her and the remaining 4 lines in the plaque read

      The mortal simplistic Princess Jahanara,
      Disciple of the Khwaja Moin-ud-Din Chishti,
      Daughter of Shah Jahan the Conqueror
      May Allah illuminate his proof.
      1092 [1681 AD]

      Princess Jahanara(April 2, 1614 – September 16, 1681) was the eldest daughter of Shah jahan and his favourite.

      jahanara

      ( note: no actual likeness of her exists, as was usual for royal Mughal ladies their portraits were always imaginary an based on verbal descriptions)

      She was the First lady of the Empire after her mother’s death and was given the titles of Sahibat al-Zamani (Lady of the Age) and Padishah Begum (Lady Emperor), or Begum Sahib (Princess of Princesses). Her power was such that, unlike the other royal princesses, she was allowed to live in her own palace, outside the confines of the Agra Fort.
      She aligned with Dara Shikoh’s in the battle of succession and gave up her preeminent position in the court after Aurangzeb’s victory and retired to look after her father in Agra Fort where he was imprisoned by Aurangzeb.


      After Shah jahan ‘ s death she was reconciled with Aurangzeb and regained her position in court.
      Together with her brother Dara Shikoh, she was a disciple of Mullah Shah Badakhshi, who initiated her into the Qadiriyya Sufi order in 1641. Jahanara Begum made such progress on the Sufi path that Mullah Shah would have named her his successor in the Qadiriyya, but the rules of the order did not allow this.

      She is buried in a simple marble enclosure in the Dargah of Hazrat Nizamuddin Auliya. It was built by her in her lifetime in 1681. She died and was buried in the same year. It is ornamented with embossed traceries and according to Stephen Carr writing in 1876, “is hollow at the top and exposed to the sky – the hollow is filled with earth covered with green grass,” as per her will, though today it is covered with rose petals and flowers.The grave is an enclosure of four walls, about 16′ by 12′ and over 8′ high. Each of the walls consists of three panels, covered with marble screens of lattice work. The wall with the door has 2 panels with the door taking place of the third screen. The top of the walls had a perforated marble balustrade , but only a small pice exists today. Of the four small marble minarets on the four corners of the enclosure, too only 2 exist. ( source Stephen Carr)

      It adjoins the marble enclosure for Emperor Mohammad Shah and its entrance is near the langar khan of the Dargah.

      On the right of the grave of Princess Jahanara is the grave of Mirza Nili, the son of Emperor Shah Alam and on its left is the grave of Jamal-un-Nisa, daughter of Akbar II.
      Today however her tomb is considered to have magical properties and mentally disturbed women are brought to it and left there. I found it a little disturbing that instead of clinical treatment they were being kept here: some against their will as I saw one girl trying to go out but she was stopped by her male guardian.
      She had been given half of Mumtaz Mahal ‘ s wealth and property by her father on Mumtaz Mahal ‘ s death ( the rest divided amongst the remaining siblings). On her death she willed that her property worth Rupees 3 crores be distributed amongst the khadims of the dargah but Aurangzeb distributed only 1/3 of that, saying that according to Law a person can will only 1/3 and the remaining 2/3 goes to the real heirs.
      She had a tablet placed in the enclosure which bears the beautiful couplet written by herself given above. *
      Grave of Jahanara, daughter of Shah Jahan, at Jam-at Khana Masjid, Nizamuddin. Grave topped with hollow filled with grass
      Date: January 9 1903 Gertrude Bell Archives

      Unfortunately today it is believed to cure mentally challenged women and one sees various women sitting there in various stages of bewilderment and agitation. Their male guardians put them in here in most cases and wait for a cure outside.

      Aurangzeb emulated his elder sister Jahanara and his epitaph closely echoes hers.

      Grave of Mughal Emeperor,Aurangzeb at Khuldabad, Aurangabad, 1850s. “He desired in his will that not more than 8 rupees was to be expended on it”
      The epitaph reads his own couplet in Persian:
      Az tila o nuqreh gar saazand gumbad aghniyaa!
      Bar mazaar e maa ghareebaan gumbad e gardun bas ast!. Translation: “The rich may well construct domes of gold and silver on their graves! For the poor folks like me, the sky is enough (of a dome to shelter my grave)!

      image
      From www.razarumi. Com

      (*Verse and translation courtesy Prof R Nath from Asarus Sanded of Sir Syed Ahmed Khan)

       

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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      © 2018 Rana Safvi - A blog Exploring Ganga Jamuni Tehzeeb of India, website handcrafted by Abu Sufiyan.

       

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