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    Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

    Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

    Ulugh Beg’s Observatory in Samarqand, Uzbekistan

    Ulugh Beg’s Observatory in Samarqand, Uzbekistan

    Rani Ki Baori, Bundi, Rajasthan

    Rani Ki Baori, Bundi, Rajasthan

    Bundi Fort, Rajasthan

    Bundi Fort, Rajasthan

    Rock Paintings in Bundi, Rajasthan

    Rock Paintings in Bundi, Rajasthan

    A Classical Nayika in Indian Paintings

    A Classical Nayika in Indian Paintings

    Jhat pat Bibi ki kahani

    Jhat pat Bibi ki kahani

    Jahangir ‘s Jade Cup

    Jahangir ‘s Jade Cup

    The Jama Masjid in Bodh Gaya

    The Jama Masjid in Bodh Gaya

    Buddha statues in Guimet Museum, Paris

    Buddha statues in Guimet Museum, Paris

    Museum of Scholars, Khiva , Uzbekistan

    Museum of Scholars, Khiva , Uzbekistan

    Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

    Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

    Samanid Mausoleum in Bukhara

    Samanid Mausoleum in Bukhara

    Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

    Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

    The Bibi Khanum Mosque, Samarqand, Uzbekistan

    The Bibi Khanum Mosque, Samarqand, Uzbekistan

    The Aq Masjid ( white mosque) of Khiva, Uzbekistan

    The Aq Masjid ( white mosque) of Khiva, Uzbekistan

    Chor Minar ( char minar) of Bukhara, Uzbekistan

    Chor Minar ( char minar) of Bukhara, Uzbekistan

    Mausoleum of Shad-e (or Shadi) Mulk Aga in Shah e Zinda, Samarqand

    Mausoleum of Mahmud Pahlavon in Khiva, Uzbekistan

    The tomb of Baba Rukn al-Din Shirazi, Takht-i Fulad, Isfahan, Iran

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      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

      Ulugh Beg’s Observatory in Samarqand, Uzbekistan

      Ulugh Beg’s Observatory in Samarqand, Uzbekistan

      Rani Ki Baori, Bundi, Rajasthan

      Rani Ki Baori, Bundi, Rajasthan

      Bundi Fort, Rajasthan

      Bundi Fort, Rajasthan

      Rock Paintings in Bundi, Rajasthan

      Rock Paintings in Bundi, Rajasthan

      A Classical Nayika in Indian Paintings

      A Classical Nayika in Indian Paintings

      Jhat pat Bibi ki kahani

      Jhat pat Bibi ki kahani

      Jahangir ‘s Jade Cup

      Jahangir ‘s Jade Cup

      The Jama Masjid in Bodh Gaya

      The Jama Masjid in Bodh Gaya

      Buddha statues in Guimet Museum, Paris

      Buddha statues in Guimet Museum, Paris

      Museum of Scholars, Khiva , Uzbekistan

      Museum of Scholars, Khiva , Uzbekistan

      Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

      Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

      Samanid Mausoleum in Bukhara

      Samanid Mausoleum in Bukhara

      Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

      Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

      The Bibi Khanum Mosque, Samarqand, Uzbekistan

      The Bibi Khanum Mosque, Samarqand, Uzbekistan

      The Aq Masjid ( white mosque) of Khiva, Uzbekistan

      The Aq Masjid ( white mosque) of Khiva, Uzbekistan

      Chor Minar ( char minar) of Bukhara, Uzbekistan

      Chor Minar ( char minar) of Bukhara, Uzbekistan

      Mausoleum of Shad-e (or Shadi) Mulk Aga in Shah e Zinda, Samarqand

      Mausoleum of Mahmud Pahlavon in Khiva, Uzbekistan

      The tomb of Baba Rukn al-Din Shirazi, Takht-i Fulad, Isfahan, Iran

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      What the Calligraphy on Taj Mahal tells us

      inMedieval Indian History, Our Cultural Heritage
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      In Islam, death & burial are regulated by sharia & are linked to the redemption of the soul. The body of the deceased is integrated into the soil and it is the soul which is left. The grave is just the first stage of the journey of the soul into the hereafter
      Hence name rauza e Munawwara or illumined tomb and not Taj mahal. That name became popular as a corruption of Mumtaz Mahal and Taj Bibi ka maqbara
      It was built as a Paradisical tomb
      Shariat laws were followed for acquiring of property. Due compensation given
      The tomb complex was divided into two parts.
      One was the religious and the other s cular and commercial.
      Today they have been separated and thus we only see the love angle.
      It was a deeply Sacred space.
      The commercial part of the tomb complex was the Taj Ganj where the descendants of the artisans and craftsmen still live.
      That their hands were cut is another myth.
      Some were involved in construction of Red Fort in Delhi some in the tomb itself for inlay work contd longer
      The secular/commercial space ends in the jilaukhana/forecort of the tomb seen here in photos before the main gateway
      Since redemption is also linked to prayers not only a mosque but rooms called khaspura from where charity was distributed & hafiz e Quran stayed, are situated around the jilaukhana and inside ( behind toilet complex)
      We now enter the religious space with words
      “O SOUL, THOU ART AT REST. RETURN TO THE LORD AT PEACE WITH HIM, AND HE AT PEACE WITH YOU.”
      There are 22 passages in all, including fourteen whole chapters, some of which are read out as part of the Islamic funeral ceremony itself.
      Once inside the Sacred space, you walk across the charbagh Gardens and climb onto the sandstone platform
      We enter the marble area via a narrow staircase which opens directly under verses the of Surah Yasin running around the tomb.
      Surah Yasin is linked to death and redemption
      The main entrance to the Rauza has verses from Surah Takwir on it
      1-29
      The northern door through which we exit the mausoleum has verses from Surah Al Inshiqaq ( the Rending Asunder)
      “When the Sky is rent asunder
      And hearkens to (the Command of) its Lord–and it must needs (do so)–“
      Referring to Day o Resurrection

      Jilaukhana before the main darwaza
      Khaspura from where alms were distributed & hafiz who recited Holy Quran stayed

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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