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    Aligarh’s Jama Masjid

    Aligarh’s Jama Masjid

    Darbar of Guru Ram Rai in Dehradun

    Darbar of Guru Ram Rai in Dehradun

    Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

    Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

    Abu Serga Church, Cairo

    Abu Serga Church, Cairo

    The Exquisite Badal Mahal in Bundi Part 1

    The Exquisite Badal Mahal in Bundi Part 1

    Jhanjhiri Mosque in Jaunpur

    Jhanjhiri Mosque in Jaunpur

    Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

    Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

    Ulugh Beg’s Observatory in Samarqand, Uzbekistan

    Ulugh Beg’s Observatory in Samarqand, Uzbekistan

    Rani Ki Baori, Bundi, Rajasthan

    Rani Ki Baori, Bundi, Rajasthan

    Bundi Fort, Rajasthan

    Bundi Fort, Rajasthan

    Rock Paintings in Bundi, Rajasthan

    Rock Paintings in Bundi, Rajasthan

    A Classical Nayika in Indian Paintings

    A Classical Nayika in Indian Paintings

    Jhat pat Bibi ki kahani

    Jhat pat Bibi ki kahani

    Jahangir ‘s Jade Cup

    Jahangir ‘s Jade Cup

    The Jama Masjid in Bodh Gaya

    The Jama Masjid in Bodh Gaya

    Buddha statues in Guimet Museum, Paris

    Buddha statues in Guimet Museum, Paris

    Museum of Scholars, Khiva , Uzbekistan

    Museum of Scholars, Khiva , Uzbekistan

    Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

    Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

    Samanid Mausoleum in Bukhara

    Samanid Mausoleum in Bukhara

    Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

    Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

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      Aligarh’s Jama Masjid

      Aligarh’s Jama Masjid

      Darbar of Guru Ram Rai in Dehradun

      Darbar of Guru Ram Rai in Dehradun

      Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

      Lord Buddha’s sermon in Kausambi, Allahabad and the Fortress

      Abu Serga Church, Cairo

      Abu Serga Church, Cairo

      The Exquisite Badal Mahal in Bundi Part 1

      The Exquisite Badal Mahal in Bundi Part 1

      Jhanjhiri Mosque in Jaunpur

      Jhanjhiri Mosque in Jaunpur

      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

      Gurudwara Lekhensar Sahib‬ in Talwandi Sabo

      Ulugh Beg’s Observatory in Samarqand, Uzbekistan

      Ulugh Beg’s Observatory in Samarqand, Uzbekistan

      Rani Ki Baori, Bundi, Rajasthan

      Rani Ki Baori, Bundi, Rajasthan

      Bundi Fort, Rajasthan

      Bundi Fort, Rajasthan

      Rock Paintings in Bundi, Rajasthan

      Rock Paintings in Bundi, Rajasthan

      A Classical Nayika in Indian Paintings

      A Classical Nayika in Indian Paintings

      Jhat pat Bibi ki kahani

      Jhat pat Bibi ki kahani

      Jahangir ‘s Jade Cup

      Jahangir ‘s Jade Cup

      The Jama Masjid in Bodh Gaya

      The Jama Masjid in Bodh Gaya

      Buddha statues in Guimet Museum, Paris

      Buddha statues in Guimet Museum, Paris

      Museum of Scholars, Khiva , Uzbekistan

      Museum of Scholars, Khiva , Uzbekistan

      Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

      Malika e Kishwar’s grave in Pere Lachaise Cemetery in Paris

      Samanid Mausoleum in Bukhara

      Samanid Mausoleum in Bukhara

      Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

      Gur e Amir, mausoleum of Amir Timur in Samarqand,Uzbekistan

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      The Shahnama of Shah Tahmasp in Met Museum

      inMy Travels
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      Shahnama of Firdausi

      The Shahnama is a long epic poem written by the Persian poet Firdausi between c. 977 and 1010 CE and is the national epic of Greater Iran. Consisting of some 50,000 “distichs” or couplets, it is the world’s longest epic poem written by a single poet.

      From Gallery Text :

      The Shahnama of Shah Tahmasp
      The Shahnama of Shah Tahmasp (r. 1524–76), also known as the Shahnama-yi Shahi, is arguably the most luxuriously illustrated copy of Firdausi’s epic ever produced in the history of Persian painting

      This project was realized at the royal atelier in Tabriz, the first capital of the Safavid dynasty, and involved two generations of the most renowned artists of the time. Among them were Sultan Muhammad, Mir Musavvir, and Aqa Mirak, who succeeded each other as directors of the project through the years. Scholars still disagree about the actual dates of execution of the manuscript. It was begun around the early 1520s, probably under Shah Isma‘il (r. 1501–24), the founder of the dynasty, and carried out for at least another twenty years under Shah Tahmasp, the manuscript’s dedicatee and principal sponsor.

      https://www.metmuseum.org/toah/hd/shnm/hd_shnm.htm

      From Gallery Text :

      The Feast of Sada”, Folio 22v from the Shahnama (Book of Kings) of Shah Tahmasp,ca. 1525

      Abu’l Qasim Firdausi

      In the reign of Hushang, grandson of Gayumars, the world came to understand the usefulness of minerals and the arts of smithery, agriculture, and irrigation. One day, Hushang spied a dragon lurking behind the rocks. He hurled a stone at it, which missed the monster but hit a larger rock, causing sparks to fly. Realizing the significance of this phenomenon, Hushang built a large fire and held a feast to celebrate its discovery. The witty yet benevolent depictions of people and animals characterize the liveliest of Sultan Muhammad’s creations. Also typical of his style is the oval composition with mountains rising into the margins of the page.

      https://www.metmuseum.org/art/collection/search/452111

      Gallery Text :

      Rustam’s Fourth Course, He Cleaves a Witch”, Folio 120v from the Shahnama (Book of Kings) of Shah Tahmasp,ca. 1525

      Abu’l Qasim Firdausi

      The hero Rustam underwent seven tests of valor on his way to rescue Shah Kai Kavus. The artist has illustrated the climax of Rustam’s fourth course when the beautiful maiden who had beguiled him turned back into the witch she really was, to be dispatched by his sword. The sorcerer in the background, raising his hands in horror, has been borrowed from Turkmen artistic sources, while the profile of the sorceress is an exaggerated version of the conventional one for the old retainer or crone. Note the faces of animals and humans incorporated in the rocks, a favorite element of the early paintings of Tahmasp’s Shahnama.

      https://www.metmuseum.org/art/collection/search/452126

      Some more folio

      “Bahram Gur Pins the Coupling Onagers”, Folio 568r from the Shahnama (Book of Kings) of Shah Tahmasp

      “The Angel Surush Rescues Khusrau Parviz from a Cul-de-sac”, Folio 708v from the Shahnama (Book of Kings) of Shah Tahmasp

      Author: Abu’l Qasim Firdausi (935–1020)

      Artist: Painting attributed to Muzaffar ‘Ali (active late 1520s–70s; d. ca. 1576)

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      Rana Safvi

      Come, explore and fall in love the Beauties of Delhi (Dilli ki Ranaiya’n) and the World with me, Rana Safvi

      I have a masters in medieval history from the prestigious Centre for Advanced Studies, Dept. of History, AMU. A firm believer in our Ganga Jamuni Tehzeeb, I am passionate about gaining and sharing knowledge and these days I am doing it via the social media platform.

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